You won't get Catherine O'Hara, against her will, leading a supernaturally choreographed “Day-O.” But you will get O'Hara, and supernatural choreography, and “Day-O” – just not in ways you may have anticipated.

Director/co-writer Greg Kwedar's Sing Sing allows Colman Domingo's soul to spill for roughly 100 solid minutes. Thrillingly, however, his isn't the only soul on display. Not by a long shot.

Artistic director and choreographer Courtney Lyon says this year's programs offer “a little smattering of everything. And she isn't kidding, given that the vignettes this year range from a Strauss waltz to an ensemble Stravinsky to a contemporary Indian piece to a twisted Edgar Allan Poe … all preceded by a costumed puppy saving a kitten from a tree.

This isn't merely The Truth's venue debut, nor its Quad Cities debut, nor its Midwestern debut. It's the show's United States debut, with Black Box co-founder and artistic director Lora Adams the first person in the U.S. to receive the rights to this critically acclaimed theatre piece.