Blockbuster sequels to 13- and 36-year-old films nominated for Best Picture with no correlating nods for directing, acting, or writing, An independent release cited for directing, acting, and writing nods with no corresponding Best Picture acknowledgment. The most nods of the year – 11 in all – awarded to a foreign-language remake that debuted on Netflix. Welcome, folks, to my official, inevitably misguided attempts at predicting the January 24 Oscar nominations!

I, personally, found the experience of Skinamarink extremely tiresome and legit-scary for maybe 100 seconds of its 100-minute running length. Dammit, though, if I can't get this thing out of my head.

There's no doubt a smarter, meaner movie tucked inside director Gerard Johnstone's M3GAN, but the largely dopey, relatively tame one we're given is a lot of fun, too.

Before composing my annual list of adored movies from the past year, I gave serious thought to continuing the presentation I initiated in the first year of COVID, with write-ups on 20 favorites from 2020 followed by 21 favorites from 2021. Certainly, there were 22 winners from 2022 to emphatically celebrate, yes? Well … yes and no.

Over the course of three hours and nine minutes, there's one sensationally effective, entertaining, and even educational sequence in Damien Chazelle's Babylon even if, like everything else in this wildly indulgent and obnoxious old-Hollywood saga, it, too, eventually gets royally effed up.

As a special year-end gift for the Quad Cities theatre community in general and fans in particular, the Haus of Ruckus duo of T Green and Calvin Vo will deliver one final 2022 evening with their comedic counterparts Johnny and Fungus in A Very Ruckus Holiday Special, which will be staged at Davenport's Mockingbird on Main on December 30 in tandem with a live-streaming option. And if you thought the team responsible for the nutty adventures “Pants” Labyrinth in the spring and Random Access Morons in the summer was done for the year after their November presentation Spooky Pete, you're not alone, because as Vo admits, “We also thought we were done for the year.”

You know a movie about terminal illness is in trouble when it asks you to spend more time feeling sorry for the dying person's caregiver than it does for the person who's doing the dying. That, I'm afraid, was my chief hindrance in enjoying Spoiler Alert, director Michael Showalter's friendly, irritating dramedy about long-term life partners that keeps putting the emotional emphasis on the wrong partner.

Before discussing the very, very Bad Santa at the heart of director Tommy Wirkola's Violent Night, I want to address this grisly action comedy's other heroic perpetrator of bloody mayhem. Because despite the commitment that David Harbour lends to his portrayal of a jolly old elf by way of The Northman, seven-year-old Trudy Lightstone (endearingly enacted by Leah Brady) is easily the film's more interesting figure, largely for being the only movie character I can think of to truly call out the insidious irresponsibility in that holiday “classic” Home Alone.

As you may recall from 2019's comedic whodunit Knives Out, the soon-to-be-deceased Harlan Thrombey and his soon-to-be-accused caregiver Marta Cabrera ended every evening with a friendly round of the board game Go. I mention this because, after seeing Rian Johnson's continuation Glass Onion: A Knives Out Mystery, I've realized that reviews of this burgeoning franchise for Daniel Craig's Southern-dandy detective Benoit Blanc have been completely superfluous. The only critical analysis these films really require is a simple directive: “Go.”

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