Artistic director and choreographer Courtney Lyon says this year's programs offer “a little smattering of everything. And she isn't kidding, given that the vignettes this year range from a Strauss waltz to an ensemble Stravinsky to a contemporary Indian piece to a twisted Edgar Allan Poe … all preceded by a costumed puppy saving a kitten from a tree.

It Ends with Us isn't necessarily great. It is, however, a crowd-pleaser that's strong and sincere and unexpectedly touching … and unlike the film Blake Lively's husband is currently starring in, at least it makes a modicum of sense.

This isn't merely The Truth's venue debut, nor its Quad Cities debut, nor its Midwestern debut. It's the show's United States debut, with Black Box co-founder and artistic director Lora Adams the first person in the U.S. to receive the rights to this critically acclaimed theatre piece.

Trap may not be very good, but you gotta hand it to M. Night Shymalan: He does have a flair for the perverse.

Mind you, I'm not suggesting that anyone would do this. But if you were to make a drinking game out of the experience of Marvel's and director/co-writer Shawn Levy's Deadpool & Wolverine, here's a list of prompts to absolutely avoid – unless, that is, you want the game to end with one of your players rushed to the ER.

Following the success of last year's Spotlight on Susan Glaspell by the debuting theatre company New Athens Players and its founder (and Reader theatre reviewer) Mischa Hooker, the play's reader's-theatre followup Susan Glaspell & Friends will enjoy a July 30 presentation at Augustana College's Honkamp Myhre Black Box Theatre, the evening a celebration of works by Davenport writer Glaspell and two of her fellow females connected to the highly influential Provincetown Players: Edna Ferber and Djuna Barnes.

In director Lee Isaac Chung's disaster thriller, you sense them coming, but you're never quite prepared for them. They dominate the screen. They annihilate everything in their path. They leave you awestruck by Hollywood magic. I am, of course, referring to the dimpled grins of Glen Powell. The twisters in Twisters aren't bad, either.

Returning for their third consecutive blast of season-ending silliness in Rock Island's Lincoln Park, the Haus of Ruckus duo of Tee Green and Calvin Vo will lend their signature wit – and that of Guild founder Don Wooten – to a new version of the Aristophanes comedy Plutus, its July 20 through 28 run treating patrons to, as Green says, “an example of satire written in ancient Greece that still holds up in 2024. Which is a bummer.”

It makes perfect sense that Nicolas Cage would be cast as the titular monster in Longlegs, considering that writer/director Osgood Perkins' horror thriller is like the cinematic equivalent of most Cage performances: deliberately gonzo, weirdly earnest, alternately transfixing and repellent, and, in the end, perhaps trying a bit too hard.

A modern-day triptych of parables both ludicrous and resonant, and Yorgos Lanthimos' first project set in the United States, the movie probably won't find Academy Awards in the offing. That hardly matters, though, for a work that delivers this many belly laughs, most of them accompanying dropped jaws, and this much thematic meat to chew on.

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