Lauded by the New York Times as a "big bearhug of a musical" in which "even the most stalwart cynics may have trouble staying dry-eyed," the Tony Award-winning Come from Away enjoys an August 28 through September 12 run at Moline's Black Box Theatre. This deeply moving entertainment is being presented in honor of the 25th anniversary of 9/11, and was hailed by Broadway World as "inspiring, funny, and kick-ass beautiful.”

Presented as the latest selection in the theatre's “Andy Bro Show New Works Commission,” the world premiere of composer Billy Reece's musical The Mermaids enjoys an August 21 through 30 run at Mt. Carroll's Timber Lake Playhouse, treating audiences to a debuting stage experience as the final show in the theatre's 2026 summer season.

Lauded by the New York Daily News as "consistently entertaining" and by Newsday as "a major treat," Steve Martin's hit comedy Picasso at the Lapin Agile enjoys an August 20 through 30 run at Geneseo's Richmond Hill Barn Theatre, the New York Post adding to the praise by calling the show "highly credible" and "very funny" with "giggles in plenty [and] moments of enlightenment."

A dramatic landmark whose 2026 Broadway return recently won six Tony Awards including Best Revival of a Play, Arthur Miller's timeless Death of a Salesman serves as the debut production in a new collaboration between the Mockingbird on Main and Black Hawk College, the show's August 20 through 29 run at Black Hawk treating audiences to an undisputed classic playing locally fewer than two weeks after its New York run ended.

Nostalgia has a funny way of raising the stakes. A mediocre presentation wouldn’t just be disappointing; it would feel like someone had replaced my ruby slippers with muddy boots and then trounced all over my childhood memories. Thankfully, director Tony Parise’s production bursts to life with color, imagination, and obvious affection for the material.

Local Theatre Auditions/Calls for Entry

Updated: Monday, August 10

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Director Pam Cantrell, her cast, and her crew served this entertaining concoction (yes, there are funny bits) with seven of Poe’s stories as ingredients.

Right from the top, the Spotlight Theatre becomes immersive with the citizens of Arendelle positioned throughout the house. Music Director Randin Letendre keeps the sound pure and exactly what audiences expect with some lovely harmonies.

Under the music direction of Rachel Young (who also conducts and plays keys in the superb five-person orchestra), and with the performers' individual vocal prowess unmistakable, the Showboat's acting ensemble sounds tremendous – easily matching, and occasionally bettering, the vocals of the Broadway cast.

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