A Tony Award winner hailed by Variety magazine as “elegant, acerbic, and entertainingly fueled on pure bile,” Yasmina Reza's God of Carnage opens the 2026 season at Moline's Playcrafters Barn Theatre, the comedy's February 27 through March 8 run treating audiences to a Broadway hit that, according to the New York Times, “delivers the cathartic release of watching other people's marriages go boom."

The recipient of the 2024 Pulitzer Prize for Drama that, according to Intermission magazine, "cuts to the heart with a simply constructed story, understated humor, and dialogue unburdened by purple prose," playwright Eboni Booth's Primary Trust makes its Iowa City debut at Riverside Theatre February 27 through March 15, the work also hailed by The Daily Beast as "beautifully written" and "a 95-minute, intermissionless, buffed-to-gleaming jewel.”

With Barely There Theatre's latest presentation landing, as its company originator and playwright says, "just in time to be late for Valentine's Day," busy area-theatre participant (and Reader theatre reviewer) Alexander Richardson brings the world premiere of his first-ever script, word play, to Moline's Black Box Theatre February 19 through 28.

Director/choreographer Ashley Becher and musical director Ethan Hayward, alongside their wonderful crew and energetic, talented crème de la crème cast, elevate the solid script and score into the realm of delight.

Local Theatre Auditions/Calls for Entry

Updated: Wednesday, February 18

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Kitty: In keeping with the feminist theme, the women were the ones driving this show.

Mischa: The three main actresses are all blessed with tremendous singing voices, and each one alternately becomes the center of attention in a series of impressive numbers.

What a night of theatre Thursday night’s What Might Have Been opening proved to be.

Lauded by the New York Daily News as "fresh and original" with "bouncy, big-hearted songs," the acclaimed stage version of a film-comedy smash enjoys a February 6 through 15 run at Moline's Spotlight Theatre, with 9 to 5: The Musical deemed "a triumph" by The Guardian, which added, "It seemed improbable, given the cult status of the movie, but the stage show has met it and raised it, rather than being its pale imitation."

Adapted from the YA science-fantasy that has sold more than 10 million copies and was a 2018 Disney movie smash, Madeleine L'Engle's iconic A Winkle in Time enjoys a February 6 through 8 staging at the Coralville Center for the Performing Arts, the inspiration for this latest production by the student talents of Young Footliters Youth Theatre a work the National Education Association listed as one of its "Teachers' top 100 books for children."

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