Why F1: The Movie debuted on June 27 rather than over Father's Day weekend is frankly baffling, given that I can't remember the last time a film was so objectively, overwhelmingly, a Dad Movie

With 28 Years Later, we appear to be exiting the realm of realism and entering the land of the mythic, and I'm not sure that, inspiration-wise, trading George A, Romero for J.R.R. Tolkien is any kind of upgrade.

Although the movie isn't very funny until it begins hitting us with its really creative gory deaths, there was a moment not long into director Len Wiseman's Ballerina – a continuation being helpfully marketed as From the World of John Wick: Ballerina – that made me and others among our Thursday-afternoon crowd laugh out loud.

If Mission: Impossible – The Final Reckoning really is as final as its title implies, I can perhaps forgive the film for including so very many flashback images from the franchise's previous seven installments, including images that are regurgitated two or three times over. But if this is indeed the series' end – I mean, y'know … we'll see … – I'm still not sure I can forgive director/co-writer Christopher McQuarrie's latest for being so dully protracted and humorless, or for the decision to transform super-operative Hunt, and by extension Tom Cruise, into a veritable messiah.