There are so many smart, promising ideas floating around in the comedic horror of Obsession that it almost doesn't matter that few of them feel properly explored, and that writer/director/editor Curry Barker doesn't seem to have entirely figured out either his principal characters or his film's overall tone.

The Sheep Detectives is kind of like Babe meets Paddington meets The Wild Robot meets Agatha Christie … which means, unexpectedly yet delightfully, it's also kind of perfect.

Meryl Streep as imperious fashion editor Miranda Priestly, Anne Hathaway as plucky journalist-turned-personal-assistant Andy Sachs, Stanley Tucci as acerbic Runway mainstay Nigel Kipling, Emily Blunt as snippy ladder-climber Emily Charlton … . Who wouldn't want to watch these people, as these people, one more time?

As part of the Playcrafters Barn Theatre's third-annual Pride Celebration, the Moline venue will host the debut of local actor/playwright Don Faust's comedy For the Love of Peter, an original one-act being presented on May 8 and 9.

There's a line, or rather a lyric, that fully encapsulates what Michael is about, and it's found in Jackson's 1983 smash “Billie Jean”: “And be careful of what you do / 'Cause the lie becomes the truth.”

Probably like a lot of you, upon hearing the title of the latest horror flick to hit cineplexes, my immediate question was “Who the hell is Lee Cronin?!”

It's the absolute right time for director/co-writer Daniel Goldhaber's new Faces of Death, a tight, scary, unexpectedly crafty meta-commentary built on the notion that we can no longer instinctively believe anything we're shown on-screen. On any screen.

Prior to writer/director Kristoffer Borgli's transfixing, deeply uncomfortable A24 romance The Drama, I think you'd have to go back to 1992's The Crying Game to find a film that made you – by which I mean me – quite so antsy to learn its heavily promoted Big Secret.

Is anyone else exhausted, and continually upset, by this year's plethora of movies in which women get the crap viciously kicked out of them?

Having not read the Andy Weir novel on which their film is based, it's hard to tell if Phil Lord and Christopher Miller were the right directors for the science-fiction adventure Project Hail Mary, or – for the book's many admirers, and maybe a few of us newbies – the absolute wrong ones.

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