It's not just that director Chad Strahelski's action thriller is great – that it is, for my money, the first legitimately great movie of 2023. But the laughs that I heard (and contributed to) during my weekday-afternoon showing were frequent and joyous, and our Keanu Reeves-inspired “Whoa!!!”s were boisterous and deserved … and there were only about 20 of us there. I can only imagine, with envy, the seismic fun of sharing this knockout experience with 100-plus others.

A world-premiere workshop production being staged at Davenport's Mockingbird on Main from March 24 through April 1, Anywhere but Here tells of a young man from a big city forced, by the advent of the 2020 pandemic, to move back into his parents' rural Midwestern home. It's a situation likely familiar to many. It's certainly familiar to the show's playwright and director Bradley Robert Jensen, who fashioned his own experiences into what he describes as “a family dramedy centered around people choosing each other over each other's differences.”

As a rule, horror sequels aren't supposed to be good. Fifth sequels in any genre aren't supposed to be good. Sequels whose basic M.O. is “Let's do what we've always done … but in a different city!” aren't supposed to be good. And yet, almost preposterously, Scream VI proves to be very, very good – though if that praise seems suspect, I'd be willing to amend it to “very, very entertaining.”

It feels odd to preface a lengthy article devoted to my predictions for the 95th Annual Academy Awards by asking you to not listen to me. But this year? If you want to win your Oscars pool? Don't listen to me.