There are so many smart line deliveries in the Prenzie Players' Tartuffe that I could gush over each one here and still not have space for half of them. From Stephanie Moeller's forceful proclamation "I'm timid!" to Jessica Sheridan's delightfully wicked warning about being stuck with the unbearable title character "each day ... and night ... for life," Friday's performance had me cackling over and over again. I won't, however, point to any more specific line interpretations, for fear of ruining the element of surprise. A large part of the production's humor lies in hearing its words delivered in unexpected ways.

Before November 26, I didn't know much about Junie B. Jones beyond her being the main character in a popular children's book series by Barbara Park. With that in mind, I felt I needed to enlist the help of my family's resident Junie B. expert, eight-year-old Madison, to adequately review the Circa '21 Dinner Playhouse's production of Junie B. in Jingle Bells, Batman Smells. (Madison is, after all, the show's target audience, as opposed to this 37-year-old, balding male.) I suspected that if she was pleased with the play, I would be, too.

Every year, St. Ambrose University's theatre department produces four mainstage shows over the nine months that school is in session. It's somewhat surprising, then, that given the myriad authors to choose from, the university opted to reserve half of the slots in its 2011-12 season for works by a single playwright.

Yet what's more surprising is that the author in question isn't one of the usual theatrical suspects - Shakespeare or Williams or O'Neill. Rather, it's St. Ambrose student Aaron Randolph III, a 32-year-old pursuing additional degrees after graduating in 2002 from the school's music department. His family musical Dakota Jones & the Search for Atlantis will be staged in the university's Galvin Fine Arts Center December 3 and 4, and his comedy The Plagiarists runs February 24 through 26.

Of all the installments in the Nunsense series, which includes six sequels and three spinoffs, the Christmas musical Nuncrackers - currently running at the Circa '21 Dinner Playhouse - seems to me the most palatable. For one thing, it has the added benefit of its Christmas theme; there's just something about the holidays that puts you (or at least me) in a cheery mood, which, in turn, makes it easier to forgive the show's shortcomings. And when you add the merry goofiness of the Little Sisters of Hoboken, it's hard not to be in good spirits throughout the show.