Tristan Layne Tapscott and Cari Downing (accompanied by Danny White) in The Last Five YearsI will admit that I had serious reservations prior to Wednesday night's performance of the Harrison Hilltop Theatre's The Last Five Years. As much as I enjoy Cari Downing's comedic stage work - I described how sensational she was in the Hilltop's I Love You, You're Perfect, Now Change earlier this year, and it's worth repeating - I wasn't so sure she was up to composer Jason Robert Brown's romantic musical. And the same went for Tristan Layne Tapscott, who I think is fantastically funny in comedy roles, but hit-or-miss in his more serious efforts. Under the direction of David Turley, though, they present a unique take on this criss-crossed storyline that has its own sweetness.

The Clinton Area Showboat Theatre's The Drowsy ChaperoneThe Clinton Area Showboat Theatre's The Drowsy Chaperone is fantastically fun. Of course, it helps that the book by Bob Martin and Don McKellar, and the music and lyrics by Lisa Lambert and Greg Morrison, are filled with amusing lines, scenarios, and situations. It also helps that this summer's Showboat cast is so talented, appearing in one impressive production after another, including Thursday night's performance.

Katie Wesler and Andrew Harth in Red HerringWhen attending a detective spoof with the title Red Herring, you probably shouldn't expect its storyline(s) to hold together in a way that makes much sense, and Michael Hollinger's farcical noir seems particularly all-over-the-map; somehow, in 130 minutes, the play's author squeezes in adultery, bigamy, murder, treason, neutron-bomb testing, the McCarthy hearings, a show-tune-loving Soviet, and a top-secret microfilm stashed in a block of Velveeta.

Jennifer Weingarten and Daniel Rairdin-Hale in If You Give a Mouse a CookieWhat happens if you give a mouse a cookie? Nothing good, if you're the cookie giver. If, however, you're watching what unfolds by way of the Circa '21 Dinner Playhouse's current youth-theatre offering, If You Give a Mouse a Cookie, it's a delightful experience.

Sara Elizabeth Speight, Jenny Winn, and Tristan Layne Tapscott in Jesus Christ SuperstarJudas is angry. Jesus is angry. Everyone's really angry in the Harrison Hilltop Theatre's Jesus Christ Superstar.

(clockwise from left) Mike Millar, Valeree Pieper, Erin Lounsberry, James Turilli, and Mark McGinn in The Drowsy ChaperoneI had an utterly fantastic time at Quad City Music Guild's preview performance of The Drowsy Chaperone, director Bob Williams' high-spirited and hysterical presentation of the long-running Broadway hit. Yet I'm embarrassed to say that I may have inadvertently missed 10 of its most entertaining minutes, because I made what was, in retrospect, a terrible mistake: I left the auditorium during intermission.

Ray Rogers, Terri Nelson, and Jackie Patterson in The Importance of Being EarnestAbout two minutes into Thursday night's performance of The Importance of Being Earnest, I panicked, knowing there were still two more hours of what had so far been - and seemed likely to continue to be - a flat, humorless presentation of playwright Oscar Wilde's work. Fortunately, though, my fears were mostly unfounded, as the Richmond Hill Barn Theatre's production improved as it progressed, and greatly improved with the arrival of the play's female characters.

Pat Flaherty in King Lear"I think it came from going to church," says area actor Pat Flaherty of his childhood interest in theatre. "Because I'd go to church, and I'd see this guy who was holding everybody's interest through the whole service. It was very dramatic - they'd light the candles and ring the bells and everything - and for a while I thought I wanted to be a priest because of that.

"It turned out I just wanted to be on stage."

Jesus Christ Superstar in rehearsalOdd as it may seem now, there actually was a period in the Harrison Hilltop Theatre's history - a run of 12 shows, to be precise - in which the company didn't produce any musicals whatsoever. Yet after staging a dozen plays between June 2008 and May 2009, co-founders Tristan Tapscott and Chris Walljasper chose to open the theatre's second season with a production of Jonathan Larson's rock musical tick ... tick ... BOOM!

Bob Hanske and Patti Flaherty in AjaxI make a conscious effort to suppress expectations prior to seeing a production, for fear they'll rise to the unattainable. With Genesius Guild's Ajax, however, I couldn't help it. I was so taken with last year's Andromache, performed in traditional period masks, that I was giddy with anticipation to see this summer's Greek-tragedy offering. And despite a few apparent stumbles over lines and one glaringly missed cue, director Don Wooten's effort did not disappoint. Saturday night's performance of Sophocles' piece captivated me with its creative execution.

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