Ricky Gervais, Tea Leoni, and Greg Kinnear in Ghost TownGHOST TOWN

Maybe you need to have seen a lot of bad romantic comedies, or bad movies involving ghosts, or bad romantic comedies involving ghosts, to appreciate just how good Ghost Town is. Maybe not, of course, especially considering how hysterical Ricky Gervais is in the movie's lead. But if you sit through enough dreary Hollywood outings of this sort, it doesn't take long to realize that something pretty special is happening here.

Brad Pitt in Burn After ReadingBURN AFTER READING

Brad Pitt is so adorably dim-witted in the Coen brothers' espionage comedy Burn After Reading, and John Malkovich is so hilariously profane (and singularly weird), that it's a little heartbreaking to admit just how disappointing the actors' debut outing with the Coens actually is. From 1984's Blood Simple to last year's No Country for Old Men, the filmography of Joel and Ethan has been chockablock with enjoyably eccentric throwaway characters. Until now, though, I'd never seen a Coen brothers movie that was nothing but a series of enjoyably eccentric throwaway characters; Pitt, Malkovich, and the film's other hard-working performers provide a decent enough time, yet I still left Burn Without Reading feeling a little bewildered and annoyed, and counting the months - hopefully not too many - until the siblings' next endeavor.

Nicolas Cage and Shahkrit Yamnarm in Bangkok DangerousBANGKOK DANGEROUS

There are a handful of motion-picture elements that are all but guaranteed to make my eyelids droop, including (a) mopey, droning voice-over narration by a film's tough-guy protagonist, (b) a color palette composed almost entirely of steely grays and blues, the traditional template for the "serious" action thriller, and (c) Nicolas Cage. Consequently, I hit the narcoleptic's jackpot with Bangkok Dangerous, a determinedly, even absurdly solemn outing by directing brothers Danny and Oxide Pang. The film is a remake of the siblings' 1999 Thai-language release of the same name, but not having seen it, I can't imagine that the Pangs' original endeavor could be more glum and exhausting than this revamp; I'm pretty certain it was only my constant head-shaking, at the continued waste that has become Cage's career, that kept me awake.

Hamlet 2HAMLET 2

Hamlet 2 has been designed as a broad farce, but I'll tell you: In the movie's climactic number, when Hamlet and Jesus took their time machine back to the night of Hamlet's death, and Hamlet prevented Gertrude from drinking the poisoned wine, and Hamlet found it in himself to finally forgive his father, and the Tucson Gay Men's Chorus sang Elton John's "Someone Saved My Life Tonight," it was pretty damned moving.

Now there's a sentence I never thought I'd write.

Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.

Javier Bardem and Penelope Cruz in Vicky Cristina BarcelonaVICKY CRISTINA BARCELONA

In 1992's Husbands & Wives, Juliette Lewis' neophyte reads an unpublished novel by Woody Allen's author, and responds to its romantic ennui with an exasperated "Are our choices really between chronic dissatisfaction and suburban drudgery?" Sixteen years later, with Vicky Cristina Barcelona, the writer/director's response appears to be: Yup. Yet while we Allen fans have been here before, we've never been here before.

Seth Rogen and James Franco in Pineapple ExpressPINEAPPLE EXPRESS

As the happily zonked, pot-dealing Saul in Pineapple Express - written by Superbad screenwriters Seth Rogen (who also stars) and Evan Goldberg - James Franco is wonderfully unpredictable. The actor has flashed the occasional grin in previous film roles, but his uncanny resemblance to James Dean finds him so often used for brooding melancholy, most notably in the Spider-Man films, that his emergence as an inventive and quick-witted comedian in this stoner-buddy action farce is cause for celebration. Or rather, it would be, if Franco had a better movie in which to display his gifts.

Brendan Fraser in The Mummy: Tomb of the Dragon EmperorTHE MUMMY: TOMB OF THE DRAGON EMPEROR

Obviously we're not meant to take The Mummy: Tomb of the Dragon Emperor seriously, as it's a fantasy in which Brendan Fraser kicks the crap out of Jet Li. But honestly, even on this harmlessly dopey franchise's own lowbrow terms, could director Rob Cohen's installment be any more witless?

Will Ferrell and John C. Reilly in Step BrothersSTEP BROTHERS

As I see it, the only way you can remotely enjoy director Adam McKay's Step Brothers is by accepting that all of the characters in it, even the seemingly levelheaded ones, are out of their minds. And even then you might not enjoy it.

Heath Ledger in The Dark KnightTHE DARK KNIGHT

The buzz on Heath Ledger's portrayal of the Joker in The Dark Knight may start to wane by the time the late actor is awarded the Oscar for it, but the effects of this performance are likely to be felt for years, if not decades.

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