There's nothing much wrong with director Will Gluck's romantic comedy One Night Only that couldn't have been fixed by ditching its leading man, leaning into its premise about 10 times harder, and turning it into a musical. Granted, we're talking about it being a different movie altogether. But I'd certainly have been on-board with those changes, because the movie we're stuck with largely sucks.

There are essentially three plotlines fighting for space in director Destin Daniel Cretton's Spider-Man: Brand New Day even though, given its generous 145-minute running length, you wouldn't think any in-fighting was necessary.

It's not that the characters can't talk. They just don't, or do without our being able to hear them, and that makes many of the goings-on here silly to the point of absurdity.

Christopher Nolan appears seriously invested in our enjoyment, and there are many, many sequences in this grandly scaled adventure as thrilling, juicy, and ticklish as any that 2026 has thus-far produced. Those demanding fidelity to Homer are likely gonna hate it.

Watching romantic relationships crack and crumble can be enormous, if nerve-racking, fun – just so long as those breakdowns are viewed from the perspective of an auditorium, and not a mirror.

It's hard to think of a more ticklish recent ode to cinema than Minions & Monsters, which would've been just about perfect if its monsters were ditched entirely.

Given how bored I've been at so many cinematic superhero origin stories over the decades, I feel silly for actually feeling and writing this. But I really wish director Craig Gillespie's Supergirl had merely been a superhero origin story.

Thirty-one years after the franchise's debut, Disney/Pixar's latest animated comedy adventure is unusual in at least one regard: It's the first Toy Story that might be more fun to think about, and argue about, than actually watch.

Steven Spielberg's Disclosure Day is many things:but most of all, it's an excellent self-test determining just how jaded you've become.

Even in a sword-and-sorcery saga with considerable sci-fi elements, just how seriously are we supposed to take a movie whose protagonist goes by the moniker “He-Man”? Perhaps anticipating this question, the team behind the new Masters of the Universe has a locked-and-loaded reply: “Not seriously at all.” And when I say “not at all,” I mean Not. At. All.

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