An operatic comedy by composer/librettist Derrick Wang that was hailed as “a dream come true” by the iconic Justice Ruth Bader Ginsburg, Scalia/Ginsburg opens the 2024-25 season at Iowa City's Riverside Theatre, its September 5 through 15 run telling the story of the friendship between the notorious RBG and her fierce judicial opponent Antonin Scalia through the lens of their shared love of opera. What better way to tell of this unlikely bond across political lines than through the art form they both adored?

A widely staged sequel to one of the most popular musical-comedy franchises of the 21st century, the feel-good hit Church Basement Ladies: A Second Helping enjoys a September 6 through 15 run at Mt. Carroll's Timber Lake Playhouse, this continuation also inspired by Janet Letnes' and Suzann Nelson's beloved comedy memoir Growing Up Lutheran.

With the stage hit lauded by Broadway World as "entirely entertaining and enjoyable," the spooky, kooky, ooky musical-comedy version of The Addams Family makes its debut at Rock Island's Circa '21 Dinner Playhouse, its September 4 through November 2 run treating audiences to a Tony Award-nominated delight inspired by the beloved TV comedy and the iconic cartoon strip by series originator Charles Addams.

M: Not to complain too much about the adaptation itself, but I think there’s a strange move to make Hyde’s attacks justifiable. He embodies emotional impulses that the hypocritical Victorian establishment, incarnated in the hospital board, doesn’t want to let free. But at this point, this makes Hyde look righteously indignant rather than evil.

K: I definitely agree with that. In the musical, Hyde becomes almost like Jekyll’s Tyler Durden.

I’ll admit it: When I read the plot description of the Richmond Hill Barn Theatre's latest offering, The Money in Uncle George’s Suitcase, I presumed it was going to be a slightly predictable but funny little story.

If we don't see what happened, we must depend on what others say is the truth. But the truth isn't always visible. Does "the truth" depend on how many witnesses? Their reliability; their knowledge; their agenda?

A special theatrical event that explores the positive relationship that Iowa's Amana Colonies have had with the Meskwaki Indigenous people, the one-man drama Squatters on Red Earth enjoys a one-night-only staging in the Galvin Fine Arts Center of Davenport's St. Ambrose University on August 24, this tale of a peaceful encounter in the midst of the U.S. white settler land grab the latest stage work by former Poet Laureate of Iowa Mary Swander.

This isn't merely The Truth's venue debut, nor its Quad Cities debut, nor its Midwestern debut. It's the show's United States debut, with Black Box co-founder and artistic director Lora Adams the first person in the U.S. to receive the rights to this critically acclaimed theatre piece.

M: Spencer Donovan’s set was truly amazing. I really liked the study, for example, tricked out with matching antique chairs and sofa, not to mention a spiral staircase that leads nowhere but was actually used very dramatically.

K: And the turntable also allowed for set adjustments to happen offstage, leading to some big reveals when a room came back into view. Seriously, I was in love with this set.

If you’re anything like me, from the moment you step into the Prospect Park Auditorium, you’ll be swept away by the stark and rickety set that is the little village of Anatevka, and the fact that the titular Fiddler is already just chilling on the roof. You might miss Josiah Wollan initially – he kind of blends in and the set is merely backlit – but his humanity emanates from time to time in small movements ... or, at least, it did at Friday’s opening-night performance of Quad City Music Guild's Fiddler on the Roof.

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