Aristophanes wrote Plutus more than 2,400 years ago, and we're still griping that people wealthier than we are haven't necessarily earned it, whether through hard work or by reason of virtue.

It’s hard to imagine a more ideal venue for a performance of Charlotte’s Web than the Playcrafters Barn Theatre. Because the show's action takes place almost entirely in a barn, the space itself blends seamlessly with the set, inviting the audience to immerse themselves in the world of the play.

Returning for their third consecutive blast of season-ending silliness in Rock Island's Lincoln Park, the Haus of Ruckus duo of Tee Green and Calvin Vo will lend their signature wit – and that of Guild founder Don Wooten – to a new version of the Aristophanes comedy Plutus, its July 20 through 28 run treating patrons to, as Green says, “an example of satire written in ancient Greece that still holds up in 2024. Which is a bummer.”

A Tony Award nominee adapted from one of the most beloved animated musicals of all time, Disney's The Little Mermaid wraps up Countryside Community Theatre's summer season with a July 26 through August 4 run at Eldridge's North Scott High School Fine Arts Auditorium, this take on the Oscar-winning film lauded by Broadway World as "a family-friendly stage musical with great visual punch."

Described by DC Metro Theatre Arts as a mystery comedy with “a dizzy, stimulating joy that makes it a whole lot of fun,” the movie and board-game adaptation Clue: On Stage takes residence at Mt. Carroll's Timber Lake Playhouse August 1 through 11, the show a farcical riot that, according to Broadway World, “creates one laugh after another – and a series of 'Ah-hah!'s – as the audience is led on a merry chase.”

I was overdue for captivating theatre, and on Friday, the Black Box Theatre delivered.

The Circa '21 Dinner Playhouse's current production is The Bikinis, which is subtitled A New Musical Beach Party, and I attended Thursday's preview night. The musical part is enjoyable; the four singers and four-member band perform admirably. However, I'd personally subtitle the rest of the show When Bad Scripts Happen to Good People.

The summer-theatre season trundles on with the latest from the Timber Lake Playhouse: The Wizard of Oz. While it features some strong performances, a children’s choir double digits strong, and even an acting dog, certain directing choices made by Chaz Wolcott hinder this timeless classic.

If you’ve ever wondered what a collaboration between George Orwell and Freddie Mercury would look like, you’ll find your answer in We Will Rock You, now playing at the Clinton Area Showboat Theatre.

Dear Quad Cities Theatergoer,

It may seem strange that I should be writing this letter, the explanation being that 84 Charing Cross Road, now playing at the Richmond Hill Barn Theatre, is a play that is almost exclusively epistolatory in nature: The story is told through the recitation of letters. The opening-night performance was a charming evening, and in telling you about it, I could think of no better method than through that of a letter.

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