You should see the groundbreaking comedy classic The Skin of Our Teeth at Augustana College. I’ll explain why in a moment, while also trying not to ruin your experience with too many details. But just by reviewing director Jeff Coussens' perfectly cast production, I will be spoiling it a bit.

A Year with Frog & Toad is overflowing with cheer and color, boasts splendid production values and an energetic cast, and I declare it delightful for all ages.

Director Luke Vermeire and assistant director Adrienne Evans, both accomplished actors as well as auteurs, have assembled a wide array of exceptional talent to create this sleek production. But don’t come expecting to leave your troubles outside, as Cabaret’s Emcee urges.

Augustana College's production of Company is expansive, lively, and musically superb.

Need a laugh? Need 40? Playcrafters has them for you.

Director/choreographer Ashley Becher and musical director Ethan Hayward, alongside their wonderful crew and energetic, talented crème de la crème cast, elevate the solid script and score into the realm of delight.

The Spotlight Theatre’s current offering is the 2013 Cinderella, which has all the memorable songs and just the right amount of appealing humor. And I thoroughly enjoyed Friday’s opening-night performance, with director Sarah Greim, music director Christine Rogers, and choreographer Michelle Kabel wrangling a large, talented cast with terrific voices, and the show's crew contributing to the magic.

The Lion in Winter is considered a classic, and its current area production, directed by Noah Hill for Moline′s Black Box Theatre, is an enthralling, often hilarious feast, with the fine cast of seven doing full justice to the clever script.

I was immediately drawn into the little world of this slightly run-down manor owned by Giles and Mollie Ralston. Both are on edge about the launch, and with no staff, the guest services and upkeep of the entire place is on their shoulders. They don't know that matters are about to get much worse.

Talented folks at the Spotlight Theatre, led by director Aaron Baker-Loo and music director Laura Hammes, are giving Young Franknstein's seasonally apropos, demanding script an electrifyingly exuberant treatment.

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