I urge you to get tickets now for director Jeremy Littlejohn's sometimes-unsettling, often-comedic, always-fascinating production featuring three superb, accomplished actors.

Despite this production being an excellent exhibition of both stagecraft and acting skills, Baskerville's comedy devolution did not grab me personally – though some audience members at Thursday's preview performance cheered.

If anyone can parody a parody -- along with its early roots, its subsequent wannabes, plus a bunch of random stuff -- it's Calvin Vo and T Green, founders of the theatrical troupe Haus of Ruckus, and their posse of benign troublemakers. They do so spectacularly in Dojo to Go, now running at St. Ambrose University's Studio Theatre, written by the prodigious pair and directed by Vo.

Thanks to a wealth of talent onstage and behind the scenes, Miracle on 34th Street: The Musical is visually and aurally impressive. But Willson's material sometimes falls short of delightful.

Friday's opening-night performance of director Jane Watson's The Sunshine Boys drew lots of big laughs from a smallish crowd. This one definitely deserves a bigger audience.

The Richmond Hill Barn Theatre's Of Mice & Men is a skillful incarnation of this story, and director Justin Raver, alongside his cast and crew, brought it to vivid life in this production – one that's as stark and realistic as Steinbeck's words themselves.

With gags and asides to the audience, An All-American Riot has a vaudevillian vibe, often fast-paced and engaging, which unfortunately makes the slower scenes drag by contrast.

If we don't see what happened, we must depend on what others say is the truth. But the truth isn't always visible. Does "the truth" depend on how many witnesses? Their reliability; their knowledge; their agenda?

Ten miles from the Mississippi River, the peaceful, corn-stippled town of Eldridge escaped the floods. Yet it is currently awash by the undersea explosion of music, color, joy, laughter, and drama that is Disney's The Little Mermaid, which is being produced by Countryside Community Theatre at the North Scott High School Auditorium.

Aristophanes wrote Plutus more than 2,400 years ago, and we're still griping that people wealthier than we are haven't necessarily earned it, whether through hard work or by reason of virtue.

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