The Spotlight Theatre’s current offering is the 2013 Cinderella, which has all the memorable songs and just the right amount of appealing humor. And I thoroughly enjoyed Friday’s opening-night performance, with director Sarah Greim, music director Christine Rogers, and choreographer Michelle Kabel wrangling a large, talented cast with terrific voices, and the show's crew contributing to the magic.

The Lion in Winter is considered a classic, and its current area production, directed by Noah Hill for Moline′s Black Box Theatre, is an enthralling, often hilarious feast, with the fine cast of seven doing full justice to the clever script.

I was immediately drawn into the little world of this slightly run-down manor owned by Giles and Mollie Ralston. Both are on edge about the launch, and with no staff, the guest services and upkeep of the entire place is on their shoulders. They don't know that matters are about to get much worse.

Talented folks at the Spotlight Theatre, led by director Aaron Baker-Loo and music director Laura Hammes, are giving Young Franknstein's seasonally apropos, demanding script an electrifyingly exuberant treatment.

Remembering the devastating losses and world-changing terror of 9/11 doesn't usually inspire joy, or instill hope. But there's a musical about it that does both, focusing on how the destruction in New York City and Washington D.C. affected a little island roughly 1,500 miles northeast.

Jordan Harrison's Marjorie Prime script is both dramatic and funny, and Jennifer Kingry's cast of four excels at being both.

Director Shelley Cooper, Augustana College's associate professor of theatre arts, and music director and accompanist Rob Elfline, professor of music at Augustana, have engineered another extraordinary production with Ordinary Days.

The horrifying story told in The Diary of Anne Frank is now being lovingly presented at Moline's Playcrafters Barn Theatre, directed by accomplished actor Elle Winchester.

Seeing and hearing Countryside Community Theatre's production of Hairspray has nearly stolen my words from me.

Consider this a "prom-vitation" to enjoy Quad City Music Guild's tuneful, touching, terrifically funny The Prom, its music by Matthew Sklar, lyrics by Chad Beguelin, and book by Beguelin and Bob Martin.

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