Remembering the devastating losses and world-changing terror of 9/11 doesn't usually inspire joy, or instill hope. But there's a musical about it that does both, focusing on how the destruction in New York City and Washington D.C. affected a little island roughly 1,500 miles northeast.

Jordan Harrison's Marjorie Prime script is both dramatic and funny, and Jennifer Kingry's cast of four excels at being both.

Director Shelley Cooper, Augustana College's associate professor of theatre arts, and music director and accompanist Rob Elfline, professor of music at Augustana, have engineered another extraordinary production with Ordinary Days.

The horrifying story told in The Diary of Anne Frank is now being lovingly presented at Moline's Playcrafters Barn Theatre, directed by accomplished actor Elle Winchester.

Seeing and hearing Countryside Community Theatre's production of Hairspray has nearly stolen my words from me.

Consider this a "prom-vitation" to enjoy Quad City Music Guild's tuneful, touching, terrifically funny The Prom, its music by Matthew Sklar, lyrics by Chad Beguelin, and book by Beguelin and Bob Martin.

Alexander Richardson calls this "a love letter to community theatre," and if you've ever been in a show, played on a team, had a job, been part of a family, or met at least one other person in your life, you may recognize at least some of these situations.

T Green's and Calvin Vo's production hooked me from the start – the performers are lively, fully present, and engaged in their scenes, and usually moved and spoke naturally, with excellent projection and diction.

If you don't think opera can be frivolous and fun, Opera Quad Cities will prove otherwise, with a big dollop of flair and abundant thrills for the ear and eye.

The Avenue Q book writer, a Tony Award-winning lyricist, a Pulitzer Prize-winning composer, and the creator of Hamilton collaborate on a musical that's a hybrid of Hairspray, Mean Girls, and Sister Act II. You in? You should be.

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