If you’re anything like me, from the moment you step into the Prospect Park Auditorium, you’ll be swept away by the stark and rickety set that is the little village of Anatevka, and the fact that the titular Fiddler is already just chilling on the roof. You might miss Josiah Wollan initially – he kind of blends in and the set is merely backlit – but his humanity emanates from time to time in small movements ... or, at least, it did at Friday’s opening-night performance of Quad City Music Guild's Fiddler on the Roof.

The Marvelous Wonderettes, directed by Ryan Scoble, is the closing production of the Clinton Area Showboat Theatre’s 2024 season, and what a sendoff! Featuring gorgeous vocals, fun choreography, and enough nostalgia to give you a toothache, this production is a must-see for those who grew up in the '50s and '60s, or anyone who’s a fan of those eras of music.

It’s hard to imagine a more ideal venue for a performance of Charlotte’s Web than the Playcrafters Barn Theatre. Because the show's action takes place almost entirely in a barn, the space itself blends seamlessly with the set, inviting the audience to immerse themselves in the world of the play.

The Circa '21 Dinner Playhouse's current production is The Bikinis, which is subtitled A New Musical Beach Party, and I attended Thursday's preview night. The musical part is enjoyable; the four singers and four-member band perform admirably. However, I'd personally subtitle the rest of the show When Bad Scripts Happen to Good People.