M: No one's here for the story, are they?

K: No, we’re in it for the escapism! And fortunately, that’s exactly what this show is all about.

Defined as a comedic work that employs buffoonery and horseplay, farce typically includes crude characterization and ludicrously improbable situations. And on opening night, director Elizabeth Shaffer hit the nail on the head, because her production isn’t trying to be anything else.

Titanic received five 1997 Tony Awards including Best Musical, Book, and Score, and Spotlight director Noah Hill and musical director Amy Trimble had a boatload of logistics, decisions, and inspirations to sort out. Their staging of this intricate, visually stunning spectacle is exemplary.

Based on the kids’ picture book written by Melinda Long and illustrated by David Shannon, this upbeat little musical will leave you practicing your pirate vernacul-arrr and perhaps even wishing to sail the seven seas in pursuit of doubloons.

M: Corey McKinney inhabited the lead role very effectively throughout, but was especially convincing in portraying Elvis’ halting yet ever-more-confident steps developing his breakthrough sound and achieving popularity.

K: I agree! McKinney did a great job of showing the progression of Elvis’ style.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

The art-deco ties for the gentlemen and lovely dresses on the ladies made the whole evening feel like a true blast from the past.

The Prom, currently running at Augustana College, is a happy, even joyous musical, even though its ripped-from-the-headlines premise is an utter disheartening downer.

I urge you to get tickets now for director Jeremy Littlejohn's sometimes-unsettling, often-comedic, always-fascinating production featuring three superb, accomplished actors.

It’s rare to find a piece of theatre that’s endearingly sweet without being schmaltzy, but that is exactly what the Black Box Theatre currently offers with Ken Ludwig’s Dear Jack, Dear Louise.

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