17 Mar 2025

One for the Money, Two for the Show: “Heartbreak Hotel,” at the Circa '21 Dinner Playhouse through May 3

By Mischa Hooker and Kitty Israel

M: Corey McKinney inhabited the lead role very effectively throughout, but was especially convincing in portraying Elvis’ halting yet ever-more-confident steps developing his breakthrough sound and achieving popularity.

K: I agree! McKinney did a great job of showing the progression of Elvis’ style.

22 Apr 2025

River Cities' Reader Theatre Reviews: July 2000 to the Present

By Administrator

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

07 Apr 2025

When Life Gives You Limes, Make Margaritas: Quad City Music Guild's “Escape to Margaritaville,” at the Prospect Park Auditorium through April 13

By Mischa Hooker and Kitty Israel

M: No one's here for the story, are they?

K: No, we’re in it for the escapism! And fortunately, that’s exactly what this show is all about.

07 Apr 2025

1912 Overtures: “Titanic: The Musical,” at the Spotlight Theatre through April 13

By Pamela Briggs

Titanic received five 1997 Tony Awards including Best Musical, Book, and Score, and Spotlight director Noah Hill and musical director Amy Trimble had a boatload of logistics, decisions, and inspirations to sort out. Their staging of this intricate, visually stunning spectacle is exemplary.

07 Apr 2025

Poe Boy: “The Tell-Tale Farce,” at Richmond Hill Barn Theatre through April 13

By Madeline Dudziak

Defined as a comedic work that employs buffoonery and horseplay, farce typically includes crude characterization and ludicrously improbable situations. And on opening night, director Elizabeth Shaffer hit the nail on the head, because her production isn’t trying to be anything else.

31 Mar 2025

The Buccaneers Stop Here: “How I Became a Pirate,” at the Circa ‘21 Dinner Playhouse through April 19

By Madeline Dudziak

Based on the kids’ picture book written by Melinda Long and illustrated by David Shannon, this upbeat little musical will leave you practicing your pirate vernacul-arrr and perhaps even wishing to sail the seven seas in pursuit of doubloons.

17 Mar 2025

Agatha, All Along: “The Stranger,” at the Black Box Theatre through March 23

By Madeline Dudziak

The art-deco ties for the gentlemen and lovely dresses on the ladies made the whole evening feel like a true blast from the past.

15 Mar 2025

They Can't Dance If They Want To: “The Prom,” at Augustana College through March 16

By Pamela Briggs

The Prom, currently running at Augustana College, is a happy, even joyous musical, even though its ripped-from-the-headlines premise is an utter disheartening downer.

22 Feb 2025

Annie, Are You Okay? So, Annie, Are You Okay? Are You Okay, Annie?!: “Misery,” at the Circa '21 Speakeasy through February 28

By Pamela Briggs

I urge you to get tickets now for director Jeremy Littlejohn's sometimes-unsettling, often-comedic, always-fascinating production featuring three superb, accomplished actors.

17 Feb 2025

War Correspondence: “Dear Jack, Dear Louise,” at the Black Box Theatre through March 1

By Madeline Dudziak

It’s rare to find a piece of theatre that’s endearingly sweet without being schmaltzy, but that is exactly what the Black Box Theatre currently offers with Ken Ludwig’s Dear Jack, Dear Louise.

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