It’s been almost a decade since I attended a show at Augustana College. Since I was there last, Augie has built the gorgeous Brunner Theatre Center, where a dear friend and I were fortunate enough to attend Tuesday night’s dress rehearsal of playwright Bess Wohl’s Small Mouth Sounds.

A sparse set is on the Village Theatre stage for the New Athens Players' debut of Spotlight on Susan Glaspell, and this minimalistic choice is to be lauded, as letting the words and stories take the forefront was an excellent decision; there’s a lot of meat that doesn’t require extensive visual splendor to make a point.

This All Shook Up mixes Elvis' two endeavors as part parody, part tribute, and director Max Moline, music director Trent Teske, choreographer Robyn Messerly, and all involved made it a 24-karat gold-record blast – the most, daddy-o!

I'm often impressed upon my first glance at the set when I enter the Black Box Theatre: the opulent, creepy one of The Turn of the Screw; the enigmatic jumble of portraits and ripped flags for Assassins; the varying, multiple-locale settings for Little Women: The Musical. (This venue's crews find the most wonderful furniture and set dressing, too.) However, the set for playwright Lauren Gunderson's Natural Shocks, the Black Box's current production, blows them all away. I think I actually froze in astonishment.