Writer Peter Rothstein conceived All is Calm: The Christmas Truce of 1914 as a radio piece, and first presented it as a concert with nine singers and three actors in a church auditorium in 2007. Rothstein used the soldiers' own words, and Erick Lichte and Timothy C. Takach arranged the 30-or-so songs, including traditional carols, popular tunes of the day, and songs which had emerged from the war itself. The show takes only an hour, but there is much to absorb and appreciate.

When I first got to the Mockingbird on Main on Friday, I immediately noticed that the theatre itself smelled wonderful … and Christmas-y. My sentiment was shared by a fellow patron, whom I overheard sharing her comment to associate director and producer Douglas Kutzli. I also overheard Kutzli say that most of his job working on the production involved saying “No, Tristan, that’s not funny” to the show's director Tristan Tapscott. But here’s the thing: I wish Kutzli had said that so much more. Because while there was nothing about this A Christmas Carol that was bad, gosh darn it, despute valiant efforts, it just wasn’t all that funny.

While watching the Spotlight Theatre’s joyous opening-night performance of A Christmas Story: The Musical, I could feel the nostalgia and love for the material coming from much of the audience. The 1983 film is an iconic holiday flick, and it was fun to witness this production’s viewers follow along already knowing the story.

If you’re looking for a joyful way to feel a little extra Christmas-y this holiday season, might I suggest Santa Claus: The Musical at the Circa '21 Dinner Playhouse? This one-hour children’s-theatre offering packs a solid punch of yuletide warmth, and no matter how old you are, I wager you will appreciate this charming little tale.

Arthur Miller, who is among the great 20th-century playwrights, never fails to impress. And when a theatre company knows how to handle his material – as the Richmond Hill Barn Theatre clearly does – a Miller play can become a stellar production.

Haus of Ruckus – the theatrical team headed by artistic directors T Green and Calvin Vo – is making some welcome noise onstage again.

While the holiday decor was gorgeous, and festive songs abounded during dinner, I honestly wasn't ready for anything holly-jolly. We weren't past Turkey Day, or even Veterans' Day yet. Nonetheless, director and choreographer Ashley Becher, music director Ron May, and the cast, crew, and staff put on a show that could warm even the Grinch's shriveled heart.

The story is seemingly simple: Twelve jurors gather in a room and discuss an open-and-shut murder case. One juror, however, votes “not guilty,” placing reasonable doubt in the minds of others as emotions run high. But while the Playcrafters Barn Theatre's Saturday performance of 12 Angry Jurors Sherman L. Sergel's stage adaptation of Reginald Rose's classic drama 12 Angry Men was simple in style, it was also polished, professional, and engaging.

In its five years in existence, the Black Box Theatre has gained a reputation for eclectic script choices and high production values with stellar performers. Its current offering, Motherhood: The Musical, is a fine continuation of that tradition.

For Augustana College's first show of its 2022-23 season, director and professor of theatre arts Jeff Coussens, his skilled cast, and creative staff have taken on Tartuffe – and have triumphed.

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