Why Theatre?

"So," you might be asking, "why is the movie guy writing about theatre?" A fair question. I love theatre. A lot. I was a theatre major in college and, until recently, have spent the past decade employed at Rock Island's Circa '21 Dinner Playhouse, where I've learned about and appreciated this great art form all the more.
The Allaert Auditorium at the Galvin Fine Arts Center was almost filled to capacity last Friday evening when admirers of Edward Albee, author of such legendary American works as Who's Afraid of Virginia Woolf?, Seascape, and The Zoo Story, flocked from near and far to see their favorite avant-garde playwright give a public lecture about "The State of the Theatre & the Arts in America."
Edward Albee, author of the play Who's Afraid of Virginia Woolf? and a three-time winner of the Pulitzer Prize, will be visiting the Quad Cities April 8 and 9 for a Quad City Arts Cary Grant Residency. Albee will be presenting two public lectures and a pair of seminars.
In episode 72 of Gilligan's Island, Hollywood director Harold Hecuba pays a visit and the castaways stage a musical version of Hamlet to try to impress him. For Michael King, who has watched all 98 episodes of the show multiple times, that plotline is a metaphor.

Augustana's production of Storm & Stress (a.k.a. Sturm und Drang) is "an opportunity for local audiences to see a play that they will likely never see anywhere else," said Jeff Coussens, director of the college's Theatre Arts Program.

"What I cannot create, I do not understand." - Richard Feynman

New Ground Theatre's upcoming show, QED, traces the many accomplishments of physicist Dr. Richard Feynman, including his formula for quantum electrodynamics (which gives this play its title) and his participation in the development of the atomic bomb.

Preparing for a show in the location the set pieces are constructed, rehearsals held, and technical adjustments made is the easiest way to ensure the fluidity of all theatrical aspects as performance time approaches.

The Prenzie Players are so serious about presenting innovative interpretations of Shakespeare's scripts, they promise audience members "won't forget our shows, ever." Pretty lofty standards for a small group of Quad Cities actors who hold performances in rented found spaces (currently the Rock Island Housing Authority building) and use minimal props, costumes, staging, and production.

Once in a while a script lingers in a realm of such greatness that it demands the patience, creativity, and collaboration of the most dedicated and talented individuals in theatre to do justice to the playwright's original intentions.

Sean Leary is sticking to basics. The author and producer of the innovative Your Favorite Band believes - despite the unique combinations of film, theatre, and music media used during the performances - that "a good story will always be the key to a successful show. " We'll see whether he followed this maxim and how local audiences respond to his part-live-theatre, part-film show when Your Favorite Band starts a two-week run August 5 at ComedySportz.

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