WALL•EWALL•E

Pixar's WALL•E is the best 100 minutes I've spent at the movies this year. It may wind up being the best 100 I'll have spent at the movies all year. (The first half seems perfect, and the second half seems merely to be Pixar working at full inspiration, which is the closest thing to perfect.) Prior to WALL•E, I found it impossible to decide whether Toy Story 2 or Finding Nemo or The Incredibles was my favorite of the studio's features. Now they're all fighting for second.

Garrison Keillor, Meryl Streep, and Lindsay Lohan in A Prairie Home CompanionA PRAIRIE HOME COMPANION

One of the many glories of Robert Altman is that he never pretends to know everything there is to know about the characters in his movies, and doesn't expect his audiences to, either. In an Altman film, you may think you have someone all figured out, until a later scene proves that you haven't begun to understand what makes them tick; Altman is fascinated with the dichotomy between characters' public and private faces. (It makes perfect sense that he eventually filmed a murder mystery.) It sometimes seems that there's not much going on in an Altman movie, and audiences could easily assume the same about the director's latest, A Prairie Home Companion. But if you're as enthralled with character as the director is, and with the drama of actors gradually revealing character, his ambling, "plotless" films can be sheer bliss.

Finding NemoFINDING NEMO

Fish, by nature, aren't the most expressive of species, but try telling that to the loopy geniuses at Pixar. In the studio's latest computer-animated adventure, Finding Nemo, director Andrew Stanton, his wizardly animators, and the vocal talent contribute such breathtaking life and range of emotion to sea dwellers that you leave the movie dizzy with happiness.

Eddie Murphy and Janet Jackson in Nutty Professor II: The KlumpsNUTTY PROFESSOR II: THE KLUMPS

You know exactly what you're going to get out of Nutty Professor II: The Klumps, and for the most part, that's a good thing. As the title indicates, the movie is more spin-off than sequel, as Eddie Murphy gives life to the Klumps, the vivacious and often beyond-vulgar kin to Sherman Klump, the obese genetics professor of the 1996 film.