Gerard Butler in 300300

Whatever its problems, and they are myriad, you can't say that Zack Snyder's 300 doesn't give you plenty to look at. Adapted from Frank Miller's and Lynn Varley's graphic novel, the film - which follow s the ancient Spartan army in a wildly violent, self-sacrificing battle against Persian forces - is filled with memorably outré images: an enormous tree and a 20-foot-high wall, both composed entirely of corpses; a triad of elephants, backed over a cliff, that plunge to their deaths; the sky blackening with what appear to be locusts, instead proving to be the incoming trajectory of thousands of steel-tipped arrows. In 300, Snyder shows a remarkable gift for graphic-novel composition, and continually keeps your eye engaged. Too bad the same can't be said of your brain.

Christian Bale in Batman BeginsBATMAN RETURNS

Many Hollywood blockbusters feel so generic as to have been formed by committee, and in Batman Begins, that committee appears to be comprised entirely of comic-book bloggers. Just how afraid of Internet fanboys have movie studios become? It has been widely reported that this new installment in the superhero franchise is a deliberate rebuke to director Joel Schumacher's beyond-campy Batman Forever and Batman & Robin, and I couldn't be more on board with that; Schumacher managed to turn Warner Brothers' moody franchise into a half-assed Mardi Gras spectacle, minus the debaucherous fun. (Only in Schumacher's hands could Uma Thurman come off as a depressed drag queen.)

Emily Browning, Jim Carrey, and Liam Aiken in Lemony Snicket's A Series of Unfortunate EventsLEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS

A friend recently introduced me to the considerable joys of Daniel Handler's Lemony Snicket novels, the first three of which have been adapted for the new Jim Carrey vehicle Lemony Snicket's A Series of Unfortunate Events.Handler rivals Roald Dahl in his talent for concocting exquisitely macabre and funny children's stories, and the Unfortunate Events series is almost embarrassingly enjoyable reading. (I'm currently on book nine of, thus far, 11.) The novels follow three orphans - Violet, Klaus, and baby Sunny - as they're whisked from relative to relative while evading their evil uncle, Count Olaf, a demented character actor attempting to murder them for their inheritance, and the surprising intricacy of the books' plotting is matched by their wit and humor; after reading them you feel jazzed and alert, like waking from an oddly funny nightmare.

Lindsay Lohan, Amanda Seyfried, Lacey Chabert, and Rachel McAdams in Mean GirlsMEAN GIRLS

Recently, some friends introduced me to the considerable pleasures of Freaks & Geeks on DVD, and I understood why the show barely lasted a season; it was a nearly pitch-perfect rendering of high school's everyday horrors and comic humiliations, and what mass audience, hoping for mindless entertainment, wants to subject themselves to that? And just like that sublime TV series, Mean Girls, the new teen comedy directed by Mark Waters and written by Tina Fey, is so wickedly sharp and achingly funny that its target audience probably won't know what to make of it.(At the screening I attended, everyone laughed like hell at the overt physical comedy, but the movie's most hilarious dialogue fell on deaf ears.)

Martin Lawrence and Will Smith in Bad Boys IIBAD BOYS II

Near the climax of Bad Boys II, Detective Mike Lowrey (Will Smith), leading a high-speed chase involving dope-runners and the Cuban military, turns to his car's passengers and barks, "Everybody start shooting somebody!" One can imagine the same command being issued from the mouths of director Michael Bay and producer Jerry Bruckheimer.

Colin Farrell in Phone BoothPHONE BOOTH

Joel Schumacher's Phone Booth starts off so poorly that it's a major surprise - a shock, really - when the movie winds up being thrilling, even exhilarating; it proves that a great, meaty premise can overcome almost all obstacles.