Kevin Costner in The GuardianTHE GUARDIAN

If I were trapped in the middle of a violent storm, and drowning, and being rescued by a member of the Coast Guard, I would hope that my savior was just like Kevin Costner in The Guardian - someone stalwart, sincere, and able to convince me that everything was going to be all right, even when he was shouting at me.

If I'm watching a movie involving this exact same scenario, though, I'm sorry - Kevin Costner is just about the last person I want to see, at least given his performance in director Andrew Davis' Coast Guard drama.

Gilbert Gottfried in The AristocratsTHE ARISTOCRATS

For those who don't yet know, The Aristocrats is a literal one-joke movie. In Paul Provenza's documentary, nearly a hundred comedians re-tell an old vaudeville gag about a group of performers whose act consists of them performing the filthiest, most repellant stage atrocities imaginable - some immoral, most illegal, all unimaginable (or so it would seem). The performers' stage moniker? The Aristocrats.

Emily Browning, Jim Carrey, and Liam Aiken in Lemony Snicket's A Series of Unfortunate EventsLEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS

A friend recently introduced me to the considerable joys of Daniel Handler's Lemony Snicket novels, the first three of which have been adapted for the new Jim Carrey vehicle Lemony Snicket's A Series of Unfortunate Events.Handler rivals Roald Dahl in his talent for concocting exquisitely macabre and funny children's stories, and the Unfortunate Events series is almost embarrassingly enjoyable reading. (I'm currently on book nine of, thus far, 11.) The novels follow three orphans - Violet, Klaus, and baby Sunny - as they're whisked from relative to relative while evading their evil uncle, Count Olaf, a demented character actor attempting to murder them for their inheritance, and the surprising intricacy of the books' plotting is matched by their wit and humor; after reading them you feel jazzed and alert, like waking from an oddly funny nightmare.

Tom Cruise in The Last SamuraiTHE LAST SAMURAI

Occasionally, all it takes is sharp cinematography to get critics all woozy. How else to explain the positive notices for Edward Zwick's The Last Samurai, a period epic so unexceptional and derivative it might as well have been called Dances with Wolves Meets Braveheart? (Barkeep! Oscars for all!)