Angelina Jolie in ChangelingCHANGELING

Clint Eastwood's Changeling finds John Malkovich giving a thoughtful, restrained performance as a righteous pastor, and Michael Kelly giving an exceptional one as a dogged detective. Oh, and the period design for the film's 1928 Los Angeles setting is quite good. Having gotten that out of the way, the rest of the movie is so awful - so maddeningly phony and contrived - that I wanted to hurl things at the screen.

Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.

Charlize Theron and Tommy Lee Jones in In the Valley of ElahIN THE VALLEY OF ELAH

Paul Haggis' In the Valley of Elah continually approaches greatness without ever really getting there.

Cate Blanchett and Judi Dench in Notes on a ScandalNOTES ON A SCANDAL

In Richard Eyre's Notes on a Scandal, Judi Dench appears to be having an amazingly fine time playing an evil harridan. Why does the movie itself have to be such a dud? In the film, Dench portrays prickly history teacher Barbara Covett, who becomes pathologically obsessed with Sheba Hart (Cate Blanchett), a younger colleague in the art department. (As Barbara's last name suggests, Eyre's film, based on the novel by Zoë Heller, won't be much concerned with subtlety.) When Barbara discovers that the married Sheba has been carrying on with a 15-year-old student (Andrew Simpson), she uses the knowledge to surreptitiously gain Sheba's trust, in the hopes of turning their friendship into something more, shall we say, Sapphic. Subsequently, threats are made, careers are jeopardized, relationships are destroyed ... and why oh why isn't the movie more fun?

Anna Faris and Drew Mikusa in Scary Movie 3SCARY MOVIE 3

With Scary Movie 3, the assignment of directing has been passed from Keenen Ivory Wayans to Airplane!'s David Zucker, which is a big step forward right there. (Zucker isn't much of a director, either, but at least he has ideas on how to shape a scene, and is actually pretty adept at making his film parodies look like the films they're parodying.) Plus, any time Zucker and company are satirizing the outrageous pomposity of M. Night Shymalan, whose Signs receives - and deserves - particularly harsh treatment here, Scary Movie 3 is everything you want a movie spoof to be: smart, funny, and more than a little mean. (And heartening - until now, I thought I was the only one who detested Shymalan's "Hitchcockian" appearance as the vet who accidentally kills Mel Gibson's wife in Signs.) The wide-eyed, appealing Anna Faris returns as the lead, ably satirizing Naomi Watts' reporter from The Ring, and comic actors such as Charlie Sheen, Jeremy Piven, Queen Latifah, Camryn Manheim, and legendary spoofster Leslie Nielsen all score some laughs. So why is Scary Movie 3 still so disappointing?