Erin O'Shea and J. Adam Lounsberry in Little Women In Louisa May Alcott's Little Women, the storytelling and language are already so musical that the decision to adapt the author's tale into a musical seems a little redundant. But as redundancies go, the musical version of Little Women is actually pretty good, and under the direction of Bob Williams, Quad City Music Guild's take on the show is pretty damned good - marvelously designed, staged, sung, and (apart from two glaringly inappropriate performances) acted. Alcott purists may gripe, and not without cause, but it'd be hard to gripe about Music Guild's presentation of the material, and, I think, impossible to gripe about the portrayal of Erin O'Shea, whose stunningly radiant turn as Jo March seems reason enough for the existence of a Little Women musical.

Anything Goes ensemble members There are actors in the Quad City Music Guild's current production of Anything Goes that are behaving like total idiots.

Thank God.

"The Wizard of Oz" ensemble members About halfway through the overture for the Quad City Music Guild's preview performance of The Wizard of Oz, my friend, sporting a huge grin, turned to me and whispered, "I feel like I'm watching the movie." With the thrillingly familiar strains emanating from music director Valeree Pieper's splendid orchestra, I agreed completely, and it's fair to say that over the next two-and-three-quarters hours, that feeling almost never waned.

It's too bad that so many of us greet the news of another area production of Fiddler on the Roof with an audible groan, because the show itself is really, really good. The music is marvelous, the characters are enjoyable, the story is well-plotted and touching, it's always funnier than you remember it being ... if you're a musical-theatre fan and if you've never seen it, you have no excuse. But, let's face it, it can be a daunting musical to sit through. "I love that show," you'll hear people say, "but, Jesus, it's long ... ."