Henry Cavill, Dagmara Dominczyk, James Caviezel, and Luis Guzman in The Count of Monte CristoTHE COUNT OF MONTE CRISTO

The best reason to see the latest remake of The Count of Monte Cristo is the source material. You can easily shrug off the movie's unimaginative staging, corny laugh lines, and obtrusive score for the chance to enjoy an opulently designed adaptation of Alexandre Dumas' audience-grabbing tale; it's the sort of story that was once called "a ripping good yarn."

Jason Mewes and Kevin Smith in Jay & Silent Bob Strike BackJAY & SILENT BOB STRIKE BACK

Kevin Smith's Jay & Silent Bob Strike Back, the fifth and reportedly final installment in his View Askewniverse series, is less a movie than a live-action thank-you note to his fans.

Halle Berry and Hugh Jackman in SwordfishSWORDFISH, ATLANTIS: THE LOST EMPIRE, and LARA CROFT, TOMB RAIDER

Within a four-day span, I sat through Swordfish, Atlantis: The Lost Empire, and Lara Croft, Tomb Raider, and have become convinced that they're all the same movie. True, one is a sleek action-thriller, one a Disney cartoon, and one inspired by a popular videogame, but consider:

Tom Hanks in Cast AwayCAST AWAY

In Cast Away, Robert Zemeckis' most fully satisfying work in ages, Tom Hanks stars as Chuck Noland, a FedEx engineer for whom the world can't move fast enough; he's obsessed with time-saving, whether it be with associates in Moscow or friends at home. Before boarding a plane for a business conference, he even goes so far as to give his girlfriend (Helen Hunt) a wrapped engagement ring, instructing her to open it when he returns. (He saves lead-in time on its actual presentation.) But somewhere over the Pacific, the plane crashes (in one of cinema's most terrifying airplane disasters), and Chuck is washed up on a deserted island with little hope of escape or rescue; suddenly, he has all the time in the world, and the film, which had previously been lightning quick, slows down to a crawl.

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