David Oyelowo in SelmaSELMA

Movie violence is so prevalent - be it in horror films or action franchises (see Taken 3, if you must) or the PG-13 pummelings of every Marvel entertainment ever - that it's shocking to see one whose brutal acts have the power to make you cry. But within the first minutes of the extraordinary Selma, director Ava DuVernay stages a literal explosion of historical violence so frightening, repellent, and emotionally overwhelming that, in the awestruck moments of silence that followed, it was absolutely no surprise to hear viewers sniffling.

Sally Field and Daniel Day-Lewis in LincolnLINCOLN

Steven Speilberg has never directed a talkier movie than his presidential biopic Lincoln, and only on rare occasions, it seems to me, has he directed a better one.

Johanna Welzenbach-Hilliard and Donna Weeks rehearse Under the RadarFor the final production in her company's 10th-anniversary season, New Ground Theatre Artistic Director Chris Jansen chose to direct a rather epic piece: the debuting period drama Under the Radar, which features numerous plotlines and changes of locale, and concerns our area's gay scene in the late 1970s, with particular attention paid to the relationship of one long-term gay couple.

Based on that description, it sounds as though Jansen is tackling a Quad Cities-based, pre-AIDS version of Tony Kushner's Angels in America. Yet when, with a good-natured laugh, she says of the mammoth undertaking, "Some idiot wrote 11 characters into it," know that Jansen isn't being derogatory. At least, not toward anyone but herself.

Reader issue #708 Playwright Tony Kushner's Angels in America begins its run at The Green Room Theatre on October 31, and to hear artistic director Tyson Danner describe it, he and executive director Derek Bertelsen couldn't have chosen a more appropriate production to open on Halloween.

"It's a monster," says Danner.