Chris Pratt and Bryce Dallas Howard in Jurassic WorldJURASSIC WORLD

Hopefully it won't happen for many, many years. But when Steven Spielberg eventually passes away, will any of us be allowed to notice?

Brad Pitt in FuryFURY

Granted, I haven't seen Birdman yet, but it's hard to imagine any movie this year featuring a more kick-ass title character than the one in writer/director David Ayer's Fury. A battered but still indomitable Sherman tank plowing through Nazi Germany at the tail end of World War II - its name imprinted, twice, on the tank's cannon - Fury is both an amazing destructive force and a desperately needed safe haven for its five-man platoon. Our heroic tank also boasts more personality than any human on-screen, but in the case of this particular film, that's relatively easy to forgive.

Ansel Elgort and Shailene Woodley in The Fault in Our StarsTHE FAULT IN OUR STARS

The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley's cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she's about to relate, "This is the truth." And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.

Sally Field and Daniel Day-Lewis in LincolnLINCOLN

Steven Speilberg has never directed a talkier movie than his presidential biopic Lincoln, and only on rare occasions, it seems to me, has he directed a better one.

Nicolas Cage in Season of the WitchSEASON OF THE WITCH

For one of my New Year's resolutions, I thought I'd attempt a pretty tough one: To not accidentally (or intentionally) doze off during any 2011 movies. Mind you, this isn't something I do at a lot of screenings - a Skyline here, a Speed Racer there. But falling asleep at the cineplex is, for me, rather like snoozing while in your office cubicle; it seems the least I can do during a stretch of daytime work is stay conscious. And as a test for my new resolve, what trickier challenge could I have asked for than the very first 2011 feature out of the gate: Season of the Witch?

We'll get to Spielberg, Ford, and all manner of chases, escapes, and effects soon enough, but allow me to ask: Has any performer ever seemed as irrepressibly, irresistibly happy on-screen as Karen Allen in Indiana Jones & the Kingdom of the Crystal Skull?

Anne Bancroft and Sigourney Weaver in HeartbreakersHEARTBREAKERS

Though the competition is fierce - The Insider, All That Jazz, maybe even Beetlejuice - I'm not sure I've ever seen a movie that made smoking look more repellant than David Mirkin's comedy Heartbreakers.

Mel Gibson and Heath Ledger in The PatriotTHE PATRIOT

In this analysis of The Patriot, the Revolutionary War saga starring Mel Gibson, let's begin by addressing that which is mostly blameless - Caleb Deschanel's cinematography. Whether lensing a battle scene, featuring what appear to be thousands of extras in red and blue coats, or a romantic tableau in the moonlight, Mr. Deschanel's work is impeccable; he's one of the best in the business. Ditto the folks behind the set design and costumes, which look marvelously right in their period detail and lend the film more than an air of authenticity.