Cate Blanchett in Blue JasmineBLUE JASMINE

Woody Allen's new drama Blue Jasmine is modeled, both loosely and very specifically, on Tennessee Williams' A Streetcar Named Desire, and if you're familiar with that stage classic - or, really, with Williams' oeuvre in general - you can correctly presume that the movie will not end on a note of cheer. Yet for the life of me, I couldn't convince my face of that, because Cate Blanchett's almost impossibly fine performance in the writer/director's latest left me smiling so contentedly you would've thought the screening came with an open bar and complimentary full-body massage. Catching up with me on the way out of the auditorium, a friend, regarding Blanchett's portrayal, said, "I think I'm gonna be high for a week." I'm pretty sure I vocalized my agreement but was feeling too high to be certain.

Best Actor Daniel Day-LewisSeth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .

I'm sorry, but I am alone in thinking that last night's telecast, in the end, was just a little too "fine"?

Sally Field and Daniel Day-Lewis in LincolnLINCOLN

Steven Speilberg has never directed a talkier movie than his presidential biopic Lincoln, and only on rare occasions, it seems to me, has he directed a better one.

Daniel Day-Lewis and Marion Cotillard in NineNINE

Despite its mostly lackluster reviews and rather lame box-office intake, director Rob Marshall's Nine is actually pretty entertaining. But seriously, shouldn't any movie starring Daniel Day-Lewis, Marion Cotillard, Nicole Kidman, Judi Dench, Penélope Cruz, Kate Hudson, and Sophia Loren be considerably better than "pretty entertaining"? (Collectively, these performers have amassed 18 Oscar nominations and eight statuettes, though it's doubtful that Nine will do much to increase those tallies.)