25
Jul
2016
In 1971, Jim Jacobs took his experiences attending Chicago's Taft High School and, together with Warren Casey, wrote the book, music, and lyrics for a musical titled Grease. You may have heard of it.
It is with no hesitation that I admit adoring Stephen Flaherty's and Lynn Ahrens' musical Seussical, for which Flaherty wrote the music and Ahren the lyrics, with both collaborating on the book. Though it seems a children's play, the lyrics, melodies, and harmonies are sophisticated and memorable, and knowing how much I like this piece - and remembering the Clinton Area Showboat Theatre's excellent Cats from earlier this summer - I couldn't set aside my expectations prior to Thursday's Showboat performance, certain I was in for a theatrical treat. Director Matthew Teague Miller did not disappoint.
The scenic design for the Clinton Area Showboat Theatre's Into the Woods is deceptively simple - basically a half-dozen white drop curtains hanging ceiling to floor, with a few stone steps decorating the otherwise bare stage. But don't be fooled: Like a rabbit being pulled from a hat, something truly magical emerges from this production's minimalist-by-necessity façade.
The Clinton Area Showboat Theatre's Annie feels like a show I've never seen before, even though I'd seen it many times prior to Thursday night's performance. While the musical's characters are portrayed in familiar ways, director Patrick Stinson's work seems new, mostly because of designer Kenneth Verdugo's sets. As odd as that sounds - the idea that a set could change the feel of an entire show - it's true, because the design not only affects the look of the production, but also how the stage space is used, and what elements are highlighted as a result.
