I have a confession: Since discovering my passion for the theatre, I've intentionally avoided the works of Anton Chekov. So many of my theatre friends consider Chekov to be the pinnacle of playwrights, placing him even higher than Shakespeare, yet fearing that I'd be excommunicated should I not like his works, I stayed away from them altogether. But now, after seeing the opening-night performance of Augustana College's The Seagull, I must form and share my opinion. So here it is: It turns out I like Chekov. A lot.

 

Supposedly a family-friendly audience favorite, The Secret Garden, currently being performed at Augustana College, is an emotional but often downright dreary musical based on the classic children's novel by Frances Hodgson Burnett. I know few children - or adults, for that matter - with the stamina to make it through this production, which lasted almost three hours on opening night. But duration aside, the decision by director Jeff Coussens and musical director John Pfautz to even attempt to stage Garden, with its cast of 19 in the relatively-intimate Potter Hall, was an audacious one that succeeded on both vocal and visual levels.

the Holly Jolly Christmas ensembleNo show that opens with 10 sharply dressed, great-looking, terrifically talented performers dancing a spirited tap number can be all that bad, which is a good thing for Holly Jolly Christmas, the musical revue currently playing at the Circa '21 Dinner Playhouse. Considering, however, that the production has no loftier purposes beyond entertaining crowds with familiar holiday tunes and spreading a little yuletide cheer, I think audiences could be easily forgiven for turning to their theatre-going companions after the curtain call and saying, "Well, that was nice... but what the hell was it?"

At heart, the 1990 tragicomedy The Big Funk is less a theatrical production than a wrestling match, one between its playwright, John Patrick Shanley, and ... John Patrick Shanley.

Joshua Sohn in Joseph & the Amazing Technicolor DreamcoatIf you can't pull off grandeur in a show that's pretty much known for grandeur, you're much better off shooting for ingenuity and invention. So, for those curious how the modestly scaled Clinton Area Showboat Theatre was going to house the extravagantly scaled Joseph & the Amazing Technicolor Dreamcoat, the happy answer is: with considerable wit and smarts, thank you.

In the science-fiction drama Omniscience - currently playing at Augustana College - playwright Tim Carlson imagines a not-too-distant U.S. future in which several Midwestern states are under Asian control, violent militia activity is commonplace, behavior is governmentally regulated through mood-leveling drugs, and surveillance systems monitor our every move.

Eliza Bockstahler and Liz Stigler in The Learned LadiesSet in 17th Century France, Augustana College's production of the Molière comedy The Learned Ladies takes place in the salon of a Paris manor, and among the first things you notice about Adam Parboosingh's scenic design are the stacks of books standing five feet high from the floor. It's actually impossible not to notice them, as the (prop) books have been painted in a variety of bright colors that make them resemble oversize, rectangular Skittles, or perhaps the reading material for Belle's library in Disney's Beauty & the Beast. They're certainly eye-catching, but there's no way anyone could mistake them for, you know, real books, and The Learned Ladies itself turns out to be a lot like them - deliberately artificial, kind of amusing, and, unfortunately, pretty much divorced from real-world experience.

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