Patrons of the Figge Art Museum's "Films at the Figge" series will be treated to both an Academy Award nominee and an Emmy Award nominee on April 14 when the Davenport venue hosts screenings of two critically lauded documentaries about disparate artists: Cavedigger, an exploration into the work of sculptor Ra Paulette, and Which Way Is the Front Line from Here?, a salute to the late, Oscar-nominated photo-journalist Tim Hetherington.

There was literally nothing about the prospect of Morbius I was looking forward to, so I suppose it's almost a compliment to say that while I didn't enjoy director Daniel Espinosa's largely dull, grossly formulaic comic-book yarn, I didn't actively detest it, either.

Congratulations! You've managed to land on the one Oscars postmortem you'll read today whose author won't detail the experience of watching Will Smith slap Chris Rock on live television! I didn't see it!

With all due respect to Robert Zemeckis' funny/exciting achievement, which I have adored ever since mid-puberty, Romancing the Stone didn't have Brad Pitt in it. The Lost City may be repackaged goods, but those goods, at least this time around, are still remarkably fresh.

While there's considerable mystery in The Outfit's plotting, there's even more in its central character, and Mark Rylance's artistry makes Graham Moore's directorial debut the rare gangster saga that makes you grin wider and wider the scarier and nastier it gets.

With Regina Hall, Wanda Sykes, and Amy Schumer sharing hosting duties, the 94th Annual Oscars are scheduled to air at 7 p.m. CST on Sunday, March 27, and the boldface names and titles below are my official guesses.

An Audience Award winner at Washington D.C.'s 2021 Environmental Film Festival and the recipient of the Best International Feature prize at the Planet in Focus International Environmental Film Festival, the climate-change documentary Inhabitants: An Indigenous Perspective enjoys a March 20 screening at Davenport's Figge Art Museum, serving as the latest informative and entertaining presentation in River Action's QC Environmental Film Series.

The debut presentation in the Figge Art Museum's “Film at the Figge” series – a monthly program featuring award-winning, independent movies about the arts screened in the Davenport venue's John Deere Auditorium – Wim Wenders' critically acclaimed documentary Pina will be shown on March 17, the film an Academy Award-nominated tribute to legendary choreographer Pina Bausch.

If you're wondering whether the combination of long, dark, and aggressively serious applied to material we're all wa-a-ay too familiar with results in a boring movie, I'm happy to report that writer/director Matt Reeves' The Batman isn't boring. Quite the opposite: It's exhilarating – an unexpectedly scary and resonant work that doesn't invite comparisons to Christopher Nolan's Dark Knight trilogy so much as David Fincher's Zodiac and Seven.

What Joe Wright's Cyrano lacks in excitement is largely made up for in consistency of tone, and that would be a backhanded compliment at best if the tone weren't so consistently sincere, playful, touching, and romantic.

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