07 Nov 2010

Brains, Heart, Courage, and the Wizards of Odd: "Megamind," "Waiting for 'Superman,'" "For Colored Girls," and "Due Date"

By Mike Schulz

MegamindMEGAMIND

Since Universal Pictures' fizzy, funny animated hit Despicable Me was released a mere four months ago, it's hardly possible that DreamWorks' new Megamind could be considered an intentional ripoff, despite a plot that also finds an über-villain gradually morphing into an über-hero. And despite the film's haughty, antagonistic protagonist performing his evil deeds alongside a goofy, tag-along minion. And despite this blobby little homunculus being named Minion. (Seriously, are there no fresh ideas in Hollywood?)

31 Oct 2010

Shut Your Stinkin' Traps!: "Saw 3D" and "Conviction"

By Mike Schulz

Naomi Snieckus in Saw 3DSAW 3D

In the first 10 minutes of Saw 3D, a grim-faced cop enters an interrogation room and addresses his visitor with a curt "Let's get this over with." I couldn't agree more!

24 Oct 2010

Demonizing: "Paranormal Activity 2"

By Mike Schulz

Paranormal Activity 2PARANORMAL ACTIVITY 2

Paranormal Activity 2, which serves as both sequel and prequel to last October's low-rent horror smash, employs the same scare tactic that made its predecessor such a shivery good time: An unbroken, stationary, nighttime shot that we stare at for long seconds while waiting - and waiting - for an unseen demon to subtly (or not-so-subtly) announce its presence. The difference, though, is that instead of a nocturnal view of a young couple's master bedroom, director Tod Williams' follow-up gives us six camera setups of its type, each positioned in a different part of a sprawling California dwelling. You'd think this would result in six times the spooky fun, but sadly, Paranormal Activity 2 is only about one-sixth as scary as the original, and even that might be a generous estimate.

24 Oct 2010

Dead and Not-So-Gone: "Hereafter"

By Mike Schulz

Cecile de France and Matt Damon in HereafterHEREAFTER

It's been a couple of days since I've seen it, and I still find myself unable to explain to friends why I enjoyed Clint Eastwood's Hereafter as much as I did. I wonder if that has anything to do with the movie being an almost complete mess.

20 Oct 2010

Men Behaving Badly: "Jackass 3D" and "RED"

By Mike Schulz

Johnny Knoxville in Jackass 3DJACKASS 3D

Well, it finally happened. Having frequently wept with laughter during MTV's Jackass series, 2002's Jackass: The Movie, and 2006's Jackass Number Two, Johnny Knoxville and his incorrigible extreme-stunt companions, in director Jeff Tremaine's Jackass 3D, got me crying for an altogether different reason.

10 Oct 2010

Bringing Up the Rearing: "Life as We Know It," "It's Kind of a Funny Story," "My Soul to Take," and "Secretariat"

By Mike Schulz

Katherine Heigl, Josh Duhamel, and Alexis, Brooke, or Brynn Clagett in Life as We Know ItLIFE AS WE KNOW IT

For whatever else it is, the romantic comedy Life as We Know It is certainly the year's most inaptly titled movie, since it doesn't present a version of life as anyone would know it.

04 Oct 2010

Friendship Bytes: "The Social Network" and "Across the Sea of Time 3D"

By Mike Schulz

Jesse Eisenberg and Justin Timberlake in The Social NetworkTHE SOCIAL NETWORK

You may have heard that a lot of critics, in their reviews of the film, have been comparing the Facebook saga The Social Network to Citizen Kane. So before this turns into one of those inaccurate, Al-Gore-says-he-invented-the-Internet sort of myths, let me clarify: They're saying that in terms of its storyline, themes, and protagonist, director David Fincher's and screenwriter Aaron Sorkin's movie is more than a bit reminiscent of Orson Welles' 1941 untouchable. No one, to my knowledge, is saying that The Social Network is as good as Citizen Kane.

Having said that, The Social Network is as good as Citizen Kane.

04 Oct 2010

There Will Be (Lots of) Blood: "Let Me In," "Case 39," and "Chain Letter"

By Mike Schulz

Kodi Smit-McPhee and Chloe Grace Moretz in Let Me InLET ME IN

With apologies to those firmly on either Team Edward or Team Jacob, I was, until recently, convinced that the best vampire movie of the past 10 years was director Tomas Alfredson's Let the Right One In, the widely acclaimed, beautiful, and very scary Swedish thriller from 2008. But after seeing director Matt Reeves' new remake, Let Me In, I'm thinking that - Heresey Alert! - this one just might trump it.

26 Sep 2010

Blah, Blah, Blah ... and Surprisingly Fun - Notes on a Quadruple Feature: "You Again," "Legend of the Guardians: The Owls of Ga'Hoole," "The Virginity Hit," and "Wall Street: Money Never Sleeps"

By Mike Schulz

Billy Unger, Betty White, Jamie Lee Curtis, Sigourney Weaver, Odette Yustman, and Kristin Bell in You AgainFriday, September 24, 11:30-ish: I attend a morning screening of You Again, and pretty much know what I'm in for as soon as the Touchstone Pictures logo appears: a brightly lit, jauntily scored, aggressively manic entertainment with plenty of "heart" and no laughs whatsoever. (I half-expect a Tim Allen cameo, but instead get a Dwayne Johnson cameo, which probably should've been more expected.)

19 Sep 2010

Cawps and Rawbbuhs: "The Town"

By Mike Schulz

Ben Affleck and Jeremy Renner in The TownTHE TOWN

Director/co-writer/star Ben Affleck's crime drama The Town is an enjoyable, frustrating, fascinating contradiction: a movie with a storyline that's nearly impossible to buy, yet one performed and directed with such assurance and strength that it's nearly impossible not to buy. You can roll your eyes at the film's many clichés and contrivances, but you can't say they're presented with anything less than full commitment; for a two-hour-plus movie that doesn't provide even one truly novel character, situation, insight, or plot twist, The Town is remarkably fresh.

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