With the first offering in its series voted "the greatest British film of all time" in a 1999 British Film Institute poll, the German American Heritage Center opens its “The Lost Years of German Cinema: 1948-1963" film screenings with one of the greatest cinematic works of all time, as director Carol Reed's 1949 film noir The Third Man will be shown at Davenport's The Last Picture House on September 2.

Until viewing The End of Oak Street, I had no idea how much my soul needed the sight of a feral Anne Hathaway protecting her kids with a shotgun, and a block-long eel slithering through a two-story home, and a Tyrannosaurus rex slurping from an above-ground pool like an enormous golden retriever at its proportional water bowl.

There's nothing much wrong with director Will Gluck's romantic comedy One Night Only that couldn't have been fixed by ditching its leading man, leaning into its premise about 10 times harder, and turning it into a musical. Granted, we're talking about it being a different movie altogether. But I'd certainly have been on-board with those changes, because the movie we're stuck with largely sucks.

On August 19, Putnam Museum & Science Center patrons will be privileged to share an evening with Academy Award winner Marlee Matlin when the star of Children of a Lesser God and Best Picture winner CODA delivers a keynote address in tandem with a screening of I Am disABLEd.

Presented as a special event in the Quad Cities Latino Cinema Series, the Oscar-nominated inspirational-teacher drama Stand & Deliver enjoys an August 19 screening at Davenport venue The Last Picture House, writer/director Ramón Menéndez's 1988 film the winner of the Independent Spirit Award for Best Feature, and a work selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

There are essentially three plotlines fighting for space in director Destin Daniel Cretton's Spider-Man: Brand New Day even though, given its generous 145-minute running length, you wouldn't think any in-fighting was necessary.

It's not that the characters can't talk. They just don't, or do without our being able to hear them, and that makes many of the goings-on here silly to the point of absurdity.

Christopher Nolan appears seriously invested in our enjoyment, and there are many, many sequences in this grandly scaled adventure as thrilling, juicy, and ticklish as any that 2026 has thus-far produced. Those demanding fidelity to Homer are likely gonna hate it.

Watching romantic relationships crack and crumble can be enormous, if nerve-racking, fun – just so long as those breakdowns are viewed from the perspective of an auditorium, and not a mirror.

On July 16, the Putnam Museum & Science Center's GIANT Screen Theater auditorium will definitely be "the Room where it happens," with the Davenport venue hosting a 6 p.m. screening of Lin-Manuel Miranda's Hamilton.

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