09 Oct 2001

Stiller Finally Gets His Breakout Comic Role: "Zoolander," "Joy Ride," and "Serendipity"

By Mike Schulz

ZOOLANDER

Those of us who've been waiting, in film after film, for Ben Stiller to hit the comedic peaks he reached on his short-lived TV series The Ben Stiller Show might find Zoolander pretty irresistible.

02 Oct 2001

A Sinking Heart Over "Atlantis": "Hearts in Atlantis" and "Don't Say a Word"

By Mike Schulz

Anton Yelchin and Hope Davis in Hearts in AtlantisHEARTS IN ATLANTIS

Given current events, are audiences now so hungry for nostalgic, nonthreatening entertainment that they'll happily accept something as profoundly awful as Hearts in Atlantis? If so, you certainly can't blame them, but Lord knows they deserve better than this mawkish Stephen King adaptation, a gooey and incoherent fable that gets more maddening as it progresses. I have friends who swear by the greatness of King's novel (unread by me), but the film version comes off as a mixture of the feyest aspects of the mostly terrific Stand by Me (based on King's novella The Body) and the metaphysical hokiness of King's The Green Mile. It proves to be a nearly unbearable combination, and yet something tells me that this wimpy, unfocused film could turn into a big hit among those who believe, as its author apparently does, that America died right about the time King turned 13.

25 Sep 2001

The Season's Best Movies Might Be at the Video Store: "Startup.com," "Wit,"and "61*"

By Mike Schulz

Kaleil Isaza Tuzman and Tom Herman in Startup. comSTARTUP. COM, WIT, and 61*

I had the good fortune to view three sensational 2001 releases last week, but as you might imagine, none of them is playing at your local movie theatre. The Warner Bros. and Touchstone studios showed welcome tact by delaying the premieres of Training Day and Big Trouble, initially scheduled for release on September 21, in light of the tragic events of September 11; apparently, both films feature subplots that, in our current national climate, might be inappropriate for mass consumption. (One of the plotlines in Big Trouble, for example, deals with the impending detonation of a nuclear device.) Good for Hollywood, I say, and I hope they feel free to forever shelve any movie where explosions could legitimately be billed as featured characters. Will any of us feel the desire to watch the destructive, slow-motion set-pieces in something like Die Hard or Independence Day ever again? Should we ever have wanted to in the first place?

18 Sep 2001

In Praise of Guilty Pleasures: "The Glass House," "Hardball," and "Two Can Play That Game"

By Mike Schulz

Leelee Sobieski in The Glass HouseTHE GLASS HOUSE

The domestic thriller The Glass House is obvious and over-the-top from the word go, and that's what I liked about it. It takes true chutzpah to pull off a movie with visuals this baroque and plotting this convoluted; it might be the most trashily enjoyable work of its kind since 1997's The Devil's Advocate. Like that Al Pacino craptacular, The Glass House has no higher agenda than showing audiences, in horror-flick form, the luridness behind ultra-rich "perfection," and it's so up-front about its limited ambitions, and so earnestly performed by its top-tier cast, that you can easily lean back and enjoy it for the stylish dreck it is. Is it a good movie? Nah. An entertaining one? Hell, yes.

11 Sep 2001

Hollywood Marketing Triumphs with Two Bad Movies: "Rock Star" and "The Musketeer"

By Mike Schulz

Jennifer Aniston and Mark Wahlberg in Rock StarROCK STAR and THE MUSKETEER

If you were to guess based solely on their previews, you'd probably imagine Stephen Herek's Rock Star to be a kitschy, affectionate look at heavy metal in the '80s - like This Is Spinal Tap played straight - and Peter Hyams' The Musketeer to be a brisk reinterpretation of the Alexandre Dumas classic with a martial-arts bent - Crouching Tiger, Hidden D'Artagnan.

04 Sep 2001

"O" Why Did They Bother?: Also, "Jeepers Creepers"

By Mike Schulz

Mekhi Phifer in OO

We've had so many reinterpretations of Shakespeare's classics in recent years, and so many that have been surprisingly fine (I'm thinking of 10 Things I Hate About You, the Ethan Hawke Hamlet, and the genre's standard-bearer, Baz Luhrmann's Romeo + Juliet), that you're inclined to give O, which sets Othello in the world of high-school basketball, the benefit of the doubt.

28 Aug 2001

Smith Strikes it Rich with "Jay & Silent Bob Strike Back": Also, "The Curse of the Jade Scorpion" and "Captain Corelli's Mandolin"

By Mike Schulz

Jason Mewes and Kevin Smith in Jay & Silent Bob Strike BackJAY & SILENT BOB STRIKE BACK

Kevin Smith's Jay & Silent Bob Strike Back, the fifth and reportedly final installment in his View Askewniverse series, is less a movie than a live-action thank-you note to his fans.

21 Aug 2001

"The Others" Adds Complexity to Summer: "American Pie 2," "Rat Race," and "Osmosis Jones"

By Mike Schulz

Nicole Kidman in The OthersTHE OTHERS

Alejandro Amenabar's ghostly The Others feels like the film version of some beautifully chilling short story by Lovecraft or Shirley Jackson, where "Boo!"-style thrills take a back seat to dread and psychological complexity; it's a savvy, entertaining piece.

14 Aug 2001

Summer Movies at a Glance: "Moulin Rouge" Tops The Crop

By Mike Schulz

A.I.: ARTIFICIAL INTELLIGENCE

Steven Spielberg proves too accomplished at mimicking the famously clinical, detached Stanley Kubrick style; this sci-fi adventure is stunningly well-designed, technically miraculous, and so emotionally neutral that it rates little more than a shrug. You can enjoy individual sequences tremendously and still find it shallow, just as you can love watching Haley Joel Osment and Jude Law and still feel that the movie's Pinocchio-meets-Orwell storyline isn't shaped, or performed, properly. Still, it's a movie that deserves to be seen, though few did; like many a Kubrick enterprise, it might be more interesting in 10 years than it is now.

07 Aug 2001

The Dog Days of August: "Rush Hour 2," "The Princess Diaries," and "Original Sin"

By Mike Schulz

Jackie Chan in Rush Hour 2RUSH HOUR 2

I didn't care for the smash hit Rush Hour when it came out in 1998, and so the arrival of Rush Hour 2, needless to say, didn't fill me with excitement. But the prospect of seeing the great John Lone and Crouching Tiger, Hidden Dragon's Zhang Ziyi in supporting roles piqued my interest, and you never know when star Jackie Chan is going to pull off some miraculous stunts, so an open mind seemed appropriate.

Pages

Subscribe & Listen to Reader Podcasts

On Stands Now

 

Tagged Content

Two Ways to Subscribe

1. Subscribe to free weekly e-mail content updates.

You'll get both the current official narrative challenge and What's Happenin' in the Quad Cities.
(Did you know we publish a new Amy Alkon Advice Goddess, Real Astrology, Red Meat cartoon and RCR Crossword every week?) 

* indicates required

View previous campaigns.

2. Get 12 monthly issues mailed first class for $48

Get 12 issues mailed monthly for $48 per year.

Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!

Click this link to Subscribe now.