There's a scene in Theresa Rebeck's one-woman comedy Bad Dates - currently being produced by New Ground Theatre - in which our protagonist, Haley, is seen trying on clothes. Actually, nearly every scene features Haley trying on clothes, but I'm referring to the opening sequence, in which she's preparing for the first date she's had since ditching her good-for-nothing husband in Texas and moving to New York. With the audience cast as Haley's confidantes, this single mom and restauranteur tells us of her divorce and her 13-year-old daughter and her recent experiences at a Tibetan Buddhist book benefit, and all the while she tries on skirts, blouses, and lots and lots of shoes; no ensemble, it seems, is working for her.
Finally, Haley finds an outfit to her liking - complete with a shoulder wrap that looks vaguely like a piñata - and steps in front of the (imaginary) full-length mirror to gauge the effect. "This," she states, "is a total disaster."
REIGN OVER ME
"I was really nervous," recalls Jackie Madunic. "I love Tina Turner - she's, like, one of my idols - and I was terrified."
PREMONITION
As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.
Before introducing longtime mentor Don Wooten, host Kai Swanson said of his morning's duties, "My job is simply to keep things moving along, which I'll fail at right now. I understand from the program that our next speaker has five minutes, and when I saw that on the program, I told the organizer [New Ground Theatre's Chris Jansen], 'Good luck.' Because although he is one of the most gifted communicators I have ever known, he does believe - as do the ends of J.R.R. Tolkein's Lord of the Rings - that anything worth saying is worth saying lo-o-o-ong."
In his recent roles at the Playcrafters Barn Theatre, Patrick Adamson - portraying the insistent houseguest from hell in 2005's The Nerd and the irresponsible, romantic Gordon in the current Catfish Moon - has displayed an almost fearsome amount of talent.
