Calling the Clinton Area Showboat Theatre's production of Incredible Sex a hit-and-miss affair is accurate, but that description doesn't do justice to just how sensational its hits are - the show, directed by Patrick Stinson, is more like hit-and-miss-and-hit-and-hit-and-hit. Composed of three one-act comedies by Rich Orloff - two performed in the first act and one in the second - Incredible Sex is so clever, and accommodates the talents of the CAST ensemble so fittingly, that the rare moments where you don't laugh are almost reprieves, and even then, you're probably smiling too much to care.
SCOOP
"I'll tell you a cute little story," began Ray Voss, president of the Bix Beiderbecke Memorial Society. "There used to be an author in town, who passed away a few years ago. His name was David Collins. And he's written about 75 books - mostly for children - and he was also a teacher. Rich Johnson [the Bix society's music director] had been trying to get him to write a book about Bix, and he never wanted to do it.
A leading actor tortured by the inability to play a role he can't feel. A narcissistic starlet unashamedly flaunting her sexuality. A group of second bananas complaining about the sizes of their roles. A sweet-faced ingénue enduring the advances of an older sponsor. A clueless playwright convinced that his pedestrian dialogue is marvelous.
LADY IN THE WATER
Despite a fairly comprehensive exposure to American musical-theatre classics, it wasn't until last Wednesday that I finally saw a stage production of Anything Goes, currently playing at the Clinton Area Showboat Theatre (CAST). Afterwards, I stopped to say hello to CAST producer, and Anything Goes director, Jay Berkow, and he asked if I'd ever seen the show before. I admitted that I hadn't, and he threw me a sideways grin and said, "This one's a little different. It's not usually done this way."
The production of One Flew Over the Cuckoo's Nest that opened at the Playcrafters Barn Theatre this past weekend is well-designed and entertaining, and features a bunch of really fine individual performances - nearly a dozen, in fact.
Most theatregoers have at least one genre that they simply can't get on board with. Some can't abide tragic plays - "I get enough drama in life" is their common refrain - and some don't like musicals, and there's an untitled genre that many people, sadly, seem to be petrified of: Shows I've Never Heard of Before.
This past Saturday, I made my first-ever trek to Eldridge's North Scott High School, to make my first-ever acquaintance with the Countryside Community Theatre, via Lionel Bart's Oliver!, the musical based on Charles Dickens' Oliver Twist.Subscribe & Listen to Reader Podcasts
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