With Time Out NY calling the show “Broadway's funniest, splashiest, slap-happiest musical comedy in at least 400 years,” the University of Dubuque’s Department of Fine and Performing Arts presents a March 20 through 22 production of Something Rotten!, the zany, Tony-winning farce that the Hollywood Reporter called “a big, brash, meta-musical studiously fashioned in the mold of Monty Python's Spamalot.”

Need a laugh? Need 40? Playcrafters has them for you.

Praised by WhartonPlazaTheatre.com for its "rousing musical numbers, hilarious social commentary, and heavenly harmony," the feel-good, foot-stomping, country-music sensation Honky Tonk Angels enjoys a March 11 through April 25 run at Rock Island's Circa '21 Dinner Playhouse, RochesterMedia.com adding, "To paraphrase a well-known movie quote: Is this heaven? No. It’s Honky Tonk Angels. Welcome to heaven on earth.”

A groundbreaking achievement whose original Broadway production received six Tony Awards and whose most recent New York presentation won the Tony for Best Revival of a Musical, composer Stephen Sondheim's and author George Furth's Company enjoys a March 12 through 16 run in Augustana College's Brunner Theatre Center, the legendary work a resonant dramatic comedy by an artist the New York Times calls “one of the most sophisticated composers ever to write Broadway musicals.”

What do you get when four young adults’ lives are entangled with one another, yet the full picture doesn’t come into focus until the final moments? You get word play, written by fellow Reader reviewer Alexander Richardson: a tightly woven one-act that asks its audience to lean in, listen closely, and trust the unraveling.

A Tony Award winner hailed by Variety magazine as “elegant, acerbic, and entertainingly fueled on pure bile,” Yasmina Reza's God of Carnage opens the 2026 season at Moline's Playcrafters Barn Theatre, the comedy's February 27 through March 8 run treating audiences to a Broadway hit that, according to the New York Times, “delivers the cathartic release of watching other people's marriages go boom."

The recipient of the 2024 Pulitzer Prize for Drama that, according to Intermission magazine, "cuts to the heart with a simply constructed story, understated humor, and dialogue unburdened by purple prose," playwright Eboni Booth's Primary Trust makes its Iowa City debut at Riverside Theatre February 27 through March 15, the work also hailed by The Daily Beast as "beautifully written" and "a 95-minute, intermissionless, buffed-to-gleaming jewel.”

With Barely There Theatre's latest presentation landing, as its company originator and playwright says, "just in time to be late for Valentine's Day," busy area-theatre participant (and Reader theatre reviewer) Alexander Richardson brings the world premiere of his first-ever script, word play, to Moline's Black Box Theatre February 19 through 28.

Kitty: In keeping with the feminist theme, the women were the ones driving this show.

Mischa: The three main actresses are all blessed with tremendous singing voices, and each one alternately becomes the center of attention in a series of impressive numbers.

What a night of theatre Thursday night’s What Might Have Been opening proved to be.

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