I can only imagine how honored Andy Bro would be to see his name attached to annual presentations of world premieres – shows boasting the exceptional talent, on- and off-stage, continually lured to his theatre in the woods. That being said, and having nothing but admiration and gratitude for Timber Lake's series, I think The Mermaids may have broken my brain.

Lauded by the New York Times as a "big bearhug of a musical" in which "even the most stalwart cynics may have trouble staying dry-eyed," the Tony Award-winning Come from Away enjoys an August 28 through September 12 run at Moline's Black Box Theatre. This deeply moving entertainment is being presented in honor of the 25th anniversary of 9/11, and was hailed by Broadway World as "inspiring, funny, and kick-ass beautiful.”

Presented as the latest selection in the theatre's “Andy Bro Show New Works Commission,” the world premiere of composer Billy Reece's musical The Mermaids enjoys an August 21 through 30 run at Mt. Carroll's Timber Lake Playhouse, treating audiences to a debuting stage experience as the final show in the theatre's 2026 summer season.

Director Pam Cantrell, her cast, and her crew served this entertaining concoction (yes, there are funny bits) with seven of Poe’s stories as ingredients.

Right from the top, the Spotlight Theatre becomes immersive with the citizens of Arendelle positioned throughout the house. Music Director Randin Letendre keeps the sound pure and exactly what audiences expect with some lovely harmonies.

Under the music direction of Rachel Young (who also conducts and plays keys in the superb five-person orchestra), and with the performers' individual vocal prowess unmistakable, the Showboat's acting ensemble sounds tremendous – easily matching, and occasionally bettering, the vocals of the Broadway cast.

Kitty: Before the show started, Tommy Ranieri, the Timber Lake Playhouse's artistic director, asked the audience for a show of hands: Who had seen Hands on a Hardbody on stage before?

Mischa: And no one had. He was clearly making the point that this show is not so well known to the general public. And really, the premise seems a little dubious for a stage musical.

Background characters essayed by day players. Casts of thousands. Movies are crawlin’ with ’em. Nobody much cared about the usually unnamed souls who were rarely part of the plot, and they still don’t. But Puffs, a boy-wizard spoof subtitled Seven Increasingly Eventful Years at a Certain School of Magic & Magic, shines a spotlight on them (without casting “lumos,” because that’s a proprietary spell).

Yes, there is a competition with eliminations and a winner to be determined. But the real fun comes from watching these kids interact. The show is carried by character moments, and this cast delivers plenty of them.

Lauded by the New York Daily News as "consistently entertaining" and by Newsday as "a major treat," Steve Martin's hit comedy Picasso at the Lapin Agile enjoys an August 20 through 30 run at Geneseo's Richmond Hill Barn Theatre, the New York Post adding to the praise by calling the show "highly credible" and "very funny" with "giggles in plenty [and] moments of enlightenment."

Pages