I had the pleasure of attending Friday’s performance of The Mountaintop at the Quad Cities’ newest live-theatre venue, the Mockingbird on Main. Penned by American playwright Katori Hall, this story is a fictional depiction of Dr. Martin Luther King Jr. and his last night on earth, the eve of his assassination. As as directed by Kira Rangel, with production design by Savannah Bay Strandin and Tristan Tapscott, this piece takes patrons into the unique inner struggles of one of the most influential civil-rights leaders of all time.

Boasting a book and lyrics by Oscar and Pulitzer Prize winner Alfred Uhry, and based on a novella literary legend Eudora Welty, the Tony Award-winning musical The Robber Bridegroom, from August 5 through 15, serves as the latest summer presentation at Mt. Carroll's Timber Lake Playhouse, the show praised by the New York Times for its “rambunctious rhythms … visual wit, and gleefully macabre gags.”

Lauded by the Wall Street Journal as “charming and dramatically persuasive,” and by the New York Daily News as “a valentine to the wonder and weirdness of love,” the 2014 Tony Award nominee for Best Play Outside Mullingar opens the Richmond Hill Barn Theatre's long-awaited 2021 season, the show's August 5 through 15 run – the Geneseo company's first new show since 2019 – sure to demonstrate why the New York Times called it a work of “lyrical writing” and “consistent pleasure.”

Winner of five 2013 Tony Awards and London's record-holder for the most Olivier Awards ever won by a musical, the Broadway smash Matilda: The Musical continues Quad City Music Guild's summer of live performances at Moline's Prospect Park Auditorium, its August 6 through 15 run treating family audiences to a delightful entertainment that the New York Times called “an exhilarating tale of empowerment” told with “astonishing slyness and grace.”

This 2005 show set in Minnesota in the mid-'60s, has inspired such a ravenous fandom that there are now seven related musicals in this series. The Circa '21 Dinner Playhouse has produced some of them – one just this spring. Yet somehow, I'd so far escaped these ladies' clutches. I'm here to tell you I was clutched, but good, at Thursday's opening-night performance at the Clinton Area Showboat Theatre.

Described by Variety as “Disney's happiest outing since The Lion King” and by USA Today as boasting “easy infectiousness” and “youthful exuberance,” the Tony-winning Newsies: The Musical concludes the 2021 summer season for Eldridge's Countryside Community Theatre, the show's July 30 through August 8 run treating crowds to an energetic work that, according to the Hollywood Reporter, “adheres to a time-honored Disney tradition of inspirational storytelling in the best possible sense.”

Winner of Great Britain's Oliver Award for Best Play and described by London's Independent as “wondrous, hilarious, and heartbreaking,” the fascinating two-character drama The Mountaintop, from July 29 through August 7, serves as the inaugural production at Davenport's new venue The Mockingbird on Main, the play's imagined tale involving Martin Luther King Jr. lauded by the Los Angeles Times as “a powerful, poetic take on (King's) legacy.”

Based on the beloved Janet Letnes Martin and Suzann Nelson book Growing Up Lutheran and an ever-popular stage entertainment for more than 15 years, Church Basement Ladies serves as the latest musical-comedy presentation at the Clinton Area Showboat Theatre, its run sure to demonstrate why Broadway World called the experience “a completely fun evening” that's “really, really funny.”

Including its music direction by Michael McBride and Stancato's and associate Felicia Finley’s choreography, this outstanding production brought a brand-new, never-before-seen concept to this powerful musical. It really made me think about the story I was witnessing in a very contemporary, creative way.

This past weekend, in all its masked glory, Genesius Guild’s Hippolytus featured gorgeous face coverings designed by Daitlyn Duffy and fitted by Bob Hanske, and these were certainly not your typical COVID-era face masks, either; they were works of art that amazingly kept mouths uncovered. When paired with Sara Wegner’s absolutely beautiful costumes, I was swept up in the story before anyone said a single word.

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