A legendary, groundbreaking achievement whose original Broadway production received six Tony Awards and whose most recent New York presentation won the Tony for Best Revival of a Musical, composer Stephen Sondheim's and author George Furth's Company enjoys an eagerly awaited run at Moline's Black Box Theatre October 7 through 16, the work a resonant dramatic comedy by an artist the New York Times calls “one of the most sophisticated composers ever to write Broadway musicals.”

If you know this musical's title, and have seen any ad artwork, you already know that the show involves a very bad sentient plant. So I'll now reveal that it grows, as plants do. Except real big. And it's a carnivore. And it keeps wanting heftier portions of meat.

Described by DC Metro Theatre Arts as a mystery comedy with “a dizzy, stimulating joy that makes it a whole lot of fun,” the movie and board-game adaptation Clue: On Stage takes residence at Geneseo's Richmond Hill Barn Theatre October 7 through 17, the show a farcical riot that, according to Broadway World, “creates one laugh after another – and a series of 'Ah-hah!'s – as the audience is led on a merry chase.”

One of the most powerful and influential memoirs in American literature will, on October 3 and 4, enjoy a live rendition at the University of Dubuque's Heritage Center, with Richard Wright's iconic Black Boy given theatrical treatment in a Literature to Life solo presentation that premiered at the Kennedy Center – one that boasts actor Tarantino Smith playing more than a dozen of the book's seminal characters.

Lauded by Broadway World as “an intimate tribute to the life and music of a musical giant,” the country- and gospel-music celebration A Closer Walk with Patsy Cline will be staged at Mt. Carroll's Timber Lake Playhouse September 30 through October 10, a biographical revue boasting iconic hits, tender emotion, and a title character played and sung by Broadway veteran Felicia Finley.

An 1882 stage classic that the New York Times, in 2018, called “suddenly as timely as a tweet,” Henrik Ibsen's An Enemy of the People will be presented, in a modern-day re-imaging, at Davenport venue the Mockingbird of Main September 30 through October 9, its exploration of the impacts of pollution and moral complacency perhaps even more relevant now than it was in the 19th century.

A darkly funny, disturbing, and iconic one-act by the absurdist legend Eugène Ionesco, The Lesson kicks off St. Ambrose University's 2021-22 theatre season in the Galvin Fine Arts Center's Studio Theatre, the show's September 30 through October 2 run sure to demonstrate why Stage-Door raved, “The Lesson may be the greatest of Ionesco's plays.”

I was delighted to catch Friday’s opening-night performance of the new musical comedy Disenchanted! at the Circa ’21 Dinner Playhouse. Directed by Corinne Johnson, with musical direction by Ron May, this show is about the other sides – more disgruntled sides – of the lives of fairytale characters made famous through the wonderful world of Walt Disney, with Snow White and her gang of dissatisfied co-princesses venting their frustrations as storybook/movie characters.

Lauded by Theatre in L.A. as “a touching and human comedy” about characters who “discover an unlikely but profound connection,” playwright Richard Alfieri's Six Dance Lessons in Six Weeks enjoys an October 1 through 10 run at Moline's Playcrafters Barn Theatre, the two-person show praised by the Los Angeles Times as a “crowd-pleasing combination of sass and sentiment.”

It may be fall, but it will also be several “Seasons of Love” at the Adler Theatre on October 3 when the Davenport venue hosts a 25th-anniversary touring stop – and one of the official “farewell performances” – for Rent, creator Jonathan Larson's iconic and beloved rock opera that earned four Tony Awards, the Pulitzer Prize, and the hearts of countless millions of stage fans the world over.

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