While Rabbit Hole did have some moments that were quite tense and sad, these weren't the constant moods, and the playwright’s script and the Playcrafters company built a narrative that was human – not overdoing the tragedy, not overdoing the comedy, but existing in a way that was approachable, simple, and touching.

I won’t lie to you: I consider myself a bit of an expert when it comes to televised baking shows. If you’ve ever opted into watching one yourself, you can rightly assume that you’re in for a treat with the Circa '21 Dinner Playhouse's latest offering Just Desserts, its book and lyrics by Barbara Campbell and its music by Brad Ross.

What a treat it was to enjoy this fresh story, with rousing music, performed by some of the most passionate, committed actors I've recently seen – and to know that it was powered by local minds and hearts. So much work went into this treasure.

A world-premiere production shepherded by area stage talents Daniel Haughey and Michael Callahan, Aaron Power! The Musical running March 17 through 20 at the Center for Living Arts' East Studio in Rock Island – boasts a perfectly timely premise for a show opening on St. Patrick's Day, as its narrative concerns a young man who travels abroad to uncover the secrets of his Irish ancestry. Complicating matters for our protagonist, and likely to make them even more fascinating for the musical's patrons, is that the young man in question is Native American.

Each time I've attended a show at Augustana College's Brunner Theatre Center, I'm astonished by both the acting and technical brilliance. We had some great performers and techies during my St. Ambrose days, to be sure – but our theatre certainly wasn't equipped like this one. However, my justifiable envy doesn't lessen my enjoyment while at Augustana, including at Tuesday's dress rehearsal for The 39 Steps, directed by theatre professor Jeff Coussens.

Winner of the 2007 Pulitzer Prize for Drama and the inspiration for an Oscar-nominated film, playwright David Lindsay-Abaire's family drama Rabbit Hole enjoys a March 18 through 27 run at Moline's Playcrafters Barn Theatre, the acclaimed work lauded by Entertainment Weekly as “a transcendent and deeply affecting new play which shifts perfectly from hilarity to grief.”

I'll admit I was never a hearty fan of the Animaniacs approach, and as such, found it difficult to fully appreciate this production’s comedic offerings. But note: Just because this particular brand of comedy isn’t my personal favorite doesn’t mean that others on Saturday didn’t wholly love it.

Seeing a play by Lauren Gunderson at the Black Box Theatre is now one of my favorite pastimes. On Thursday, I attended the opening-night performance of Gunderson's The Revolutionists, and my third go-'round with this playwright and this theatre proves that they harmonize as deliciously as Brie and a baguette.

Praised by Chicago Theatre Review as an "enthralling" play "that audiences who like their entertainment spiced with controversy and seasoned with today’s headlines will absolutely enjoy," author Eleanor Burgess' The Niceties runs at Iowa City's Riverside Theatre March 11 through 27, the work lauded by the New York Times as “a bristling, provocative debate play about race and privilege in the United States, and it begs to be argued with.”

Boasting a new score by Richard Rodgers Award-winning composer Brad Ross, the tasty musical comedy Just Desserts will be making its area debut in a March 16 through May 14 run at Rock Island's Circa '21 Dinner Playhouse, the show lauded by Connecticut's Patch magazine as "a delightfully sweet musical with some savory elements."

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