A Tony-nominated delight that the New York Times described as "a high-energy ... hymn to the glories of girlishness,” the theatrical version of a beloved Reese Witherspoon comedy enjoys a November 20 Davenport engagement when the Adler Theatre hosts the national tour of Legally Blonde: The Musical, this hilarious, tune-filled treat sure to demonstrate why Broadway World called the show “a bright testimony to the power of women and importance of self-love.”

Lauded by Variety magazine as "howlingly funny" and by DC Theatre Scene as "a beloved show well regarded enough to have merited three sequels," the slapstick farce Greater Tuna enjoys a November 18 through 20 run at Scott Community College's Black Box Theatre, this beloved comedy by Jaston Williams, Joe Sears, and Ed Howard a popular hit since its debut in Austin, Texas in 1981 and its off-Broadway premiere in 1982.

The story is seemingly simple: Twelve jurors gather in a room and discuss an open-and-shut murder case. One juror, however, votes “not guilty,” placing reasonable doubt in the minds of others as emotions run high. But while the Playcrafters Barn Theatre's Saturday performance of 12 Angry Jurors Sherman L. Sergel's stage adaptation of Reginald Rose's classic drama 12 Angry Men was simple in style, it was also polished, professional, and engaging.

In its five years in existence, the Black Box Theatre has gained a reputation for eclectic script choices and high production values with stellar performers. Its current offering, Motherhood: The Musical, is a fine continuation of that tradition.

Running at Davenport venue the Mockingbird on Main November 11 through 20, Spooky Pete is the latest blast of ingenuity, hilarity, puppetry, and sure-to-be-glorious WTF-ery by the Haus of Ruckus team of T. Green and Calvin Vo. It's the pair's first Mockingbird show not to feature, at their center, Vo's and Green's comedic alter egos Johnny and Fungus. It's also a haunted-house story, and is consequently landing, as stated on the production company's Facebook page, “Just in time to be late for Halloween.”

A Tony Award-winning dramatic classic considered one of the all-time-finest stage works by Death of a Salesman playwright Arthur Miller, All My Sons will close out the 2022 season at Geneseo's Richmond Hill Barn Theatre, this riveting, critically lauded saga exploring just how far will a man go to protect his family, his interests, and his legacy.

A legendary holiday-film perennial and thrilling song-and-dance showcase for Bing Crosby and Danny Kaye will be brought to theatrical life when Rock Island's Circa '21 Dinner Playhouse presents the eagerly awaited return of Irving Berlin's White Christmas, its November 9 through December 30 run treating audiences to a Tony-nominated treat featuring timeless Berlin hits in “Blue Skies,” “Happy Holiday,” “Let Me Sing and I'm Happy,” and “I've Got My Love to Keep Me Warm.”

A 1957 film classic currently ranked by Internet Movie Database voters as the fifth-greatest movie of all time, Sidney Lumet's riveting 12 Angry Men will be given a fresh spin at Moline's Playcrafters Barn Theatre from November 4 through 13, with 12 Angry Jurors delivering a gender-blended take on a work described by the New York Times as a "taut, absorbing, and compelling drama that reaches far beyond the close confines of its jury-room setting."

Boasting funny, memorable songs and characters who, according to Broadway World, are "funny, touching, and powerful because they're realistic," Motherhood: The Musical enjoys its area-debut run at Moline's Black Box Theatre November 3 through 12, this four-woman stage hit lauded by Stage & Cinema as "a perfect show for groups of women who want to attend a bright and funny revue that showcases their domestic experiences with humor and some insight."

A surreal thriller and pitch-black comedy that will enjoy four performances in the days before Halloween, the student-produced The Pitchfork Disney will run October 27 through 30 in Augustana College's Honkamp Myhre Black Box Theatre, author Philip Ridley's work lauded by London Theatre as a play “for those who completely and wholly enjoy confrontational and edgy theatre. If you’re looking for a chilling play that will haunt you for the next 24 hours in the best possible way, then you’d better pick up some tickets."

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