If you're a film fan and merely looked at domestic box-office revenue, it would be easy to get depressed about the state of movies – or, maybe more accurately, the state of current moviegoing habits.

Whatever you think of director James Mangold's new musical bio-pic, you can't accuse it of false advertising.

If Mufasa: The Lion King is a marginal improvement on its very bad 2019 predecessor – director Jon Favreau's deeply unnecessary, frequently shot-for-shot remake that substituted photorealism for traditional animation – it's only because, unlike last time, we don't enter the film knowing precisely what we're gonna get. Except, of course, we do.

Having sat through, and stayed awake for, Madame Web, Morbius, and three Venoms, I'd be among the first to cheer the death of Sony's Spider-Man(-free) Universe series. But I'm not sure that Kraven the Hunter should be the thing that kills it.

Just nine years after earning her second Master of Fine Arts degree, writer and University of Iowa instructor Rachel Yoder sold her first novel, and then the film rights, a year before it was even published.

Presented by Filmosofia and followed by a discussion and themed reading of Philip Pettit's The Prisoner's Dilemma and Social Theory, Christopher Nolan's Batman blockbuster The Dark Knight enjoys a December 18 screening at Rock Island's Rozz-Tox, this landmark 2008 entertainment a two-time Academy Award-winner that, until last year's Barbie, held a 15-year record as the highest-grossing domestic release in Warner Bros. history.

Not that the material demanded or invited it, but I think I now know why Ralph Fiennes was never seen out of his clerical robe in Conclave. Because if we ever saw him shirtless, or even got a gander at his bare arms, that entire papal drama would've collapsed through one simple question: “How did a cloistered, late-middle-aged cardinal get so freakin' jacked?!”

Appearing in a special Silvis Public Library program on December 14, Emmy Award-winning area filmmakers Kelly and Tammy Rundle will host screenings of the entire short-film collection in their beloved Hero Street documentary series, the Celebrating History: Hero Street Documentary Film Series Centennial Event celebrating the eight young men from Silvis' block-and-a-half-long Second Street in Silvis collectively lost to World War II and the Korean War.

It's the exact same Moana people adored eight years ago, only with vaguer threat and weaker songs.

The Palme d'Or winner at the 2018 Cannes Film Festival that also received Best Foreign-Language Film nominations from the Academy Awards and Golden Globes, the Japanese family drama Shoplifters enjoys a special December 12 screening at Davenport's Figge Art Museum, with IndieWire's David Ehrlich praising the work as one that "stings (with) the loneliness of not belonging to anyone, and the messiness of sticking together."

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