With the fourth offering in its series described by Time magazine as a "wonderfully funny exercise in nonstop nuttiness," the German American Heritage Center continues its “The Lost Years of German Cinema: 1948-1963" film screenings with Billy Wilder's 1961 comedy One, Two, Three, which enjoys a September 23 screening at Davenport venue The Last Picture House.

A few hours after this Deep South thriller mercifully ended, it finally dawned on me who co-star Mark Wahlberg resembled: Alley Oop. That incongruously bulky comic-strip caveman whose jokes are funny only to him.

With the third offering in its series directed and co-written by legendary director and Italian neorealist pioneer Roberto Rossellini, the German American Heritage Center continues its “The Lost Years of German Cinema: 1948-1963" film screenings with Germany, Year Zero, which enjoys a September 16 screening at Davenport venue The Last Picture House.

I fell in love with Coyote vs. Acme roughly an hour into the picture, when a cartoon map showed a plane's trajectory headed toward the American northwest, after which it suddenly veered east, and the pilot apologized for making that wrong left turn. The plane took off in Albuquerque.

With the second offering in its series a double Oscar nominee directed and co-written by seven-time Academy Award winner Billy Wilder, the German American Heritage Center continues its “The Lost Years of German Cinema: 1948-1963" film screenings with A Foreign Affair, which enjoys a September 9 screening at Davenport venue The Last Picture House.

With the film boasting a Rotten Tomatoes "freshness" rating of 93 percent and the site's critical consensus calling it "a twisty yet heartfelt look at relationships and heartache," director Michel Gondry's and screenwriter Charlie Kaufman's Eternal Sunshine of the Spotless Mind enjoys a September 10 screening at Rozz-Tox, this Oscar-winning sci-fi comedy the latest presentation in the Rock Island venue's popular Filmosofia series.

Even if nothing entirely thrilled me, as least nothing this past weekend outright sucked – making this the perfect time for another quintet of 300-word reviews,

With Screen Anarchy declaring that his latest film “reinvents the classic horror anthology as a celebration of the landscapes and mythologies of his native Midwest,” writer/director Tim Connery's The Driftless enjoys a special September 1 screening at Davenport venue The Last Picture House, this quartet of terrifying tales the winner of the “Audience Favorite” award at the 2025 Nightmare in the Ozarks Festival and “Debut Feature” prize at the 2025 GrimmFest.

With the five featured classics including Academy Award nominees, iconic entertainments, and works that have inspired no end of unforgettable scenes, Davenport's German American Heritage Center teams up with the city's The Last Picture House to present “The Lost Years of German Cinema: 1948-1963," a film-series celebration of cinematic talent and industry boasting Wednesday screenings September 2 through 30.

With the first offering in its series voted "the greatest British film of all time" in a 1999 British Film Institute poll, the German American Heritage Center opens its “The Lost Years of German Cinema: 1948-1963" film screenings with one of the greatest cinematic works of all time, as director Carol Reed's 1949 film noir The Third Man will be shown at Davenport's The Last Picture House on September 2.

Pages