Ghost TownIf you glance at the box-office top 10 this week, you might think that the supernatural romantic comedy Ghost Town was a bomb, finishing last among the four major new releases and eighth overall. But the movie's title was almost a self-fulfilling prophecy, as Paramount/DreamWorks only exhibited it in 1,505 theatres - a sure sign the studio doesn't believe in the movie. (Its opening-weekend competitors - Lakeview Terrace, Igor, and My Best Friend's Girl - were all released in more than 2,300 theatres.)

Given a wider release and more marketing money, Ghost Town would likely have been a modest hit, easily making back its $20-million production budget in theatres. Consider that it was second-best-reviewed movie in the top 10 (behind only The Dark Knight), and that audiences liked it, too. Yahoo! users rated it B+ (compared to grades of B and B- for the other three big releases), while users of the Internet Movie Database gave it a 7.5 out of 10 (compared to a range of 5.2 to 6.5 for the new-release competition).

It's unlikely that Ghost Town would have overtaken Burn After Reading in our Box Office Power Rankings this week with a more aggressive release, but its performance would have better reflected how people actually felt about it. This is a poster child for mis-released movies.

About Box Office Power Rankings

Box Office Power Rankings balance box office and critical reception to create a better measure of a movie's overall performance against its peers than gross receipts alone.

The weekly rankings cover the 10 top-grossing movies in the United States for the previous weekend. I assign equal weight to box office and critical opinion, with each having two components. The measures are: box-office gross, per-theatre average, Rotten Tomatoes (RottenTomatoes.com) score, and Metacritic (Metacritic.com) score.

Why those four? Box-office gross basically measures the number of people who saw a movie in a given weekend. Per-theatre average corrects for blockbuster-wannabes that flood the market with prints, and gives limited-release movies a fighting chance. Rotten Tomatoes measures critical opinion in a binary way. And Metacritic gives a better sense of critics' enthusiasm (or bile) for a movie.

For each of the four measures, the movies are ranked and assigned points (10 for the best performer, one for the worst). Finally, those points are added up, with a maximum score of 40 and a minimum score of four.

For more Box Office Power Rankings, visit CultureSnob.com/bopr. Culture Snob is the Web site of Reader Managing Editor Jeff Ignatius.

Box Office Power Rankings: September 19-21
Box Office Ranks Critics' Ranks
Rank Movie Last Week Gross Per Theater Rotten Tomatoes Metacritic Total
1 Burn After Reading 1 9 ($11.0M) 9 ($4.2K) 8 (79) 8 (62) 34
2 Lakeview Terrace - 10 ($15.0M) 10 ($6.1K) 5 (40) 5 (46) 30
3 Ghost Town - 3 ($5.0M) 6 ($3.3K) 9 (86) 9 (72) 27
4 Tyler Perry's The Family That Preys 2 5 ($7.3M) 8 ($3.5K) 7 (53) 6 (49) 26
5 The Dark Knight 3 2 ($2.9M) 2 ($1.5K) 10 (95) 10 (82) 24
6 Igor - 7 ($7.8M) 7 ($3.3K) 4 (28) 4 (42) 22
7 My Best Friend's Girl - 8 ($8.3M) 5 ($3.2K) 1 (8) 3 (36) 17
8 Righteous Kill 5 6 ($7.4M) 4 ($2.4K) 3 (22) 3 (36) 16
9 The House Bunny 6 1 ($2.7M) 1 ($1.0K) 6 (41) 7 (55) 15
10 The Women 8 4 ($5.4M) 3 ($1.8K) 2 (10) 1 (27) 10

Support the River Cities' Reader

Get 12 Reader issues mailed monthly for $48/year.

Old School Subscription for Your Support

Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!

Click this link to Old School Subscribe now.



Help Keep the Reader Alive and Free Since '93!

 

"We're the River Cities' Reader, and we've kept the Quad Cities' only independently owned newspaper alive and free since 1993.

So please help the Reader keep going with your one-time, monthly, or annual support. With your financial support the Reader can continue providing uncensored, non-scripted, and independent journalism alongside the Quad Cities' area's most comprehensive cultural coverage." - Todd McGreevy, Publisher