Lauded by Variety magazine as "a biting bureaucratic satire" that "rings truer than ever," legendary Czech playwright Václav Havel's The Memo serves as the final stage production in Augustana College's 2022-23 season, the dark comedy - running May 11 through 14 - centering on the introduction of a new language that is meant to make work more efficient, but has the exact opposite effect.

With Time Out describing the show as “worthy of the gods,” the stage adaptation of Rick Riordan's popular book series opens the Timber Lake Playhouse's 2023 season in the 2019 Broadway spectacle The Lightning Thief: The Percy Jackson Musical, its May 12 through 14 Mt. Carroll run sure to demonstrate why The Hollywood Reporter raved that this family entertainment “provides an excellent if irreverent introduction to Greek mythology.”

Arriving directly from New York and with his latest stage spectacular featuring Dubuque native Rita Harvey, the May 6 performance of Neil Berg's 103 Years of Broadway finds the producer/pianist/composer returning to the University of Dubuque's Heritage Center alongside a cast of stars from history's greatest musicals, with Berg sharing the songs and stories behind the music that helped change the world.

The Richmond Hill Players’ latest offering, the Tom Smith farce Drinking Habits 2: Caught in the Act, is a sequel to Drinking Habits, which was a part of the company’s season last year. I didn't attend the first one, but was still able to easily follow the plot and characters. Not only that, but Richmond Hill’s Sunday performance, helmed by director Mike Skiles, was lighthearted, fun, and an easy-to-watch piece of theatre.

Lauded by the New York Times as "an enchanting romp of a play" and by the Houston Press as "a delight in every way," author Katie Hamill's adaptation of Jane Austen's literary classic Sense & Sensibility enjoys a May 5 through 14 debut at Moline's Playcrafters Barn Theatre, this inventive, hilarious, and moving stage piece described the Denver Post as "a fun and supremely theatrical look at social climbing, heartbreak, and love."

Winner of seven 1977 Tony Awards and one of the 25 longest-running productions in Broadway history, the iconic comic-strip adaptation Annie will bring its national tour to Davenport's Adler Theatre on May 10, the show described by the New York Times as "an intensely likable musical" that's also "an unstoppable sunshine steamroller."

The adventures of a comic-book sensation with wonderfully, and hilariously, unique powers will be presented as the final production in Davenport Junior Theatre's 2022-23 mainstage season, with Marvel Spotlight: Squirrel Girl Goes to College popping from the page to the stage in an April 22 through 30 run performed wholly by phenomenally gifted student actors.

With Stage & Cinema describing Riverside Theatre's 2022-23 season-ender as "pure joie de vivre meets industrial-strength sang-froid," the twisty comedy The Roommate enjoys an April 28 through May 14 run at Riverside Theatre, this work by lauded author and University of Iowa Playwrights Workshop graduate Jen Silverman lauded by Splash magazine as "crafted with wit and an eye for nuance."

Prolific theatre pioneer Charles Ludlum wrote some 30 plays; taught; founded an acclaimed theatre company; and acted on stage, film, and TV. His most popular work was 1984's penny dreadful The Mystery of Irma Vep, in which he and his partner Everett Quinton played all the characters, with full costume changes for each entrance. Ludlum's life was cut short by AIDS in 1987. Quinton, who revived the show off-Broadway in 1998, died this past January. And the Black Box Theatre's current production may be seen as a fond tribute to these inspired men.

Admittedly, Oliver! is one of those musicals that instantly takes me back to my formative years, as I fondly remember watching the 1968 film version at school and at home. It would have taken a total disaster for the Spotlight Theatre to leave me disappointed. Luckily for everyone, though, director Sara Tubbs’s production is a sensory delight: it looked and sounded terrific. Sure, the “unwashed” youth of this production went a little extreme with the makeup's dirt smudges. But if given the chance, who wouldn’t overly grime up, right?

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