I'll admit I was never a hearty fan of the Animaniacs approach, and as such, found it difficult to fully appreciate this production’s comedic offerings. But note: Just because this particular brand of comedy isn’t my personal favorite doesn’t mean that others on Saturday didn’t wholly love it.

The Lightning Thief, a relatively new musical, had its QCA premiere at the Spotlight, and this production based on Rick Riordan’s YA books about a young half-blood was a delight to watch. It was just as fun and playful as the original book series – and Saturday's telling of this energetic story was inventive, theatrical, and entertaining.

It was thrilling to walk into the Playcrafters Barn Theatre on Saturday and see a large crowd for Neil Simon's The Odd Couple, as about four-fifths of the seats were occupied. And director Teresa Moore, along with her staff, crew, and cast, put together a smooth-running, well-paced, lively, and all-around-enjoyable production.

The Play That Goes Wrong is an apropos title given that director Warner Crocker’s cast, in the Circa '21 Dinner Playhouse's new production, is enacting the Cornely Polytechnic Drama Society troupe's production of The Murder at Haversham Manor. It's a play within a play. As such, there’s even a program within a program.

I know the holidays are busy and holiday weekends busier still, but make room in your calendar for this fast-paced, hilarious little show, because it's completely worth it. The energy that director Tristan Tapscott’s cast brought to a very nearly empty house was unbelievable, and I can only imagine what the show would amount to in a packed theatre.

Frankly, I was feeling a bit smug when I entered the Spotlight Theatre on Saturday night. Like many, I've seen The Sound of Music onstage, and the film several times. I know how the scripts and songs differ, and what to expect. Yet this production still astounded me: It's a grand, rich experience.

Every Christmas Story Ever Told (and then some) is a 2007 comedy by John K. Alvarez, Michael Carleton, and James FitzGerald, I saw it at the Richmond Hill Barn Theatre on Thursday's opening night, and it stars Jonathan Grafft as Jonathan, Nathan Johnson as Nathan, and Mike Kelly as Mike. These could be the parts they were born to play.

The Timber Lake Playhouse’s latest jukebox musical, What a Wonderful World, is the magical tale of how Santa and Mrs. Claus try to retire – but in doing so, they must pass the baton to the new Santa, otherwise the North pole, and the fate of Christmas, are in danger of disappearing forever.

Director Luke Vermiere’s Holiday Inn – which I attended on its final, Tuesday-night dress rehearsal – just may have been the dose of “Cindy Lou Who” that I needed to embrace the Christmas spirit, and perhaps this show's one-weekend run will do the same for you.

With this version of the Seussical script, director/choreographer Ashley Becher, musical director Shelley Walljasper, and their cast and crew have concocted an entertaining, gratifying experience.

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