Miss Manners dictates that in social settings one should not bring up religion. But can I just say that when I was a shy child of six, seeing a Catholic nun in full habit scared the bejeezus out of me? Nuns were mysterious. You never saw them eat or drink or sweat. Never did I see a nun dance. And they were always worried about the soul. But the nuns in the Circa ’21 Dinner Playhouse’s musical comedy Sister Act know soul – as in soul music, sung with such energy that it had me clapping and swaying in my seat. And could those nuns dance! This joyful musical based on the 1992 film was a crowd-pleaser on opening night, and I predict the same for future performances.

Patrick Beasley and Emily Stokes in PhantomLet’s get this out of the way: In case you're attending to specifically hear “Music of the Night” or other well-known tunes, the current production of the Circa '21 Dinner Playhouse's Phantom is not Andrew Lloyd Webber's more famous version of the same story. Comparing Phantom to Webber's The Phantom of the Opera is like comparing a croissant to an éclair. Both are French, textured, and rich with flavor, but also two totally different experiences.