The old adage "Don't confuse me with the facts; my mind is made up" characterizes the modus operandi of four Davenport aldermen - Jamie Howard, Charlie Brooke, Ian Frink, and Brian Dumas - and Davenport Mayor Ed Winborn.

It is especially appropriate relative to their collective refusal to submit to the public's demand (and the majority of the council's vote) to leave Thursday's standing-committee meetings intact.

Although I have not been a dedicated reader of the Reader, I have never seen criticism of it as "anti-business." (See "Defining Pro-Business News," River Cities' Reader Issue 622, February 28-March 6, 2007.) What people need to understand is that criticism is often a great way for businesses to understand their weaknesses and improve on them. Since a business can never objectively look at itself, it should rely on the feedback of clients and the community to identify and solve problems or expand and grow.

It's not often that someone who worked on a state legislative staff actually wins a campaign for himself, but it happened last week in Chicago.

Former House Democratic staffer Brendan Reilly won his aldermanic race against longtime Chicago Alderman Burton Natarus last week by about nine points, stunning the Chicago political world, which didn't think that Natarus - who joined the city council in 1972 - could be defeated. Reilly silenced the critics by bringing a new level of sophistication to the Chicago political game.

Twelve Quad Cities-area artists have been selected by a jury to create works for an exhibition and auction in conjunction with a major show at the Figge Art Museum. The artists will donate the 12 pieces to benefit the Figge, where the local artworks will be displayed from the week before a fundraising gala until May 27, or whenever the winning bidders choose to take possession of the artworks. The selected artists were Emily Christenson, Catherine Jones Davies, Diane Dexter-Wall, Sara Jane Fellin, Kristin Garnant, Ulrike Goerlich, David Heffner, Heidi Hernandez, Nancy Lindsay, Jim Riesberg, Bruce Walters, and Peter Xiao. The museum will present its fundraising gala "Under the Big Sky" on March 24, when guests can see the major exhibition of Deborah Butterfield's horse sculptures as well as the Follow the Horses show of locally created works. To make reservations for the gala, contact special-events coordinator Mary Davidson at (563) 326-7804 extension 2046. Admission is $125 per person, which includes heavy hors d'oeuvres, live music, wine, and cocktails. 

 

Reader issue #622 Welcome to the first official Reader "Business Issue." While we are keenly aware of our own 13-year record of covering business issues important to the community, it's no secret that the Reader is often (especially among our Davenport-based critics and competitors) dismissed as "anti-business" or "anti-growth" "againsters."

So if our coverage is "anti-business," what would "pro-business" coverage look like?

Don Henry wants to be judged on jobs.

As the director of the Northwest Region Entrepreneurship Center, the only criterion that matters, he said, is the number of new jobs his organization helps create. Even though the State of Illinois provides the bulk of his budget, Henry isn't bogged down by odious regulations or reporting requirements.

When discussing business climate, the one issue that affects companies across the board is taxation. And however you cut that issue, Iowa has a better business climate than Illinois.

As much progress as each of the Quad Cities has made toward a vibrant downtown, it seems slower than anticipated or promised.

How do we know how well our local economy is faring? We're bombarded with anecdotes - this business closing, this restaurant opening, quarterly earnings from Deere - but how do those translate into a bigger picture?

The latest show by Corrine Smith, running through March 9 at the Morrissey Gallery inside St. Ambrose University's Galvin Fine Arts Center, is a chance to see some exciting new color explorations by a painting and collage powerhouse. She has incorporated a wider range of bolder colors that have invigorated her powerful images with even more visual octane.

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