Nathan Johnson and Victor Angelo and The Melville BoysThe title The Melville Boys implies that the two men in this four-character play are at the crux of its plot. For me, though, the highlight of the Richmond Hill Barn Theatre's production of Norm Foster's script was watching Dianna McKune provide the performance's heart and soul. As Mary, the character whose home neighbors the family cabin that the Melville brothers are using for the weekend, McKune brings a centered warmth to the proceedings, and is responsible for the play's biggest laughs and most heartfelt moments.

Melissa Weyn in Joseph & the Amazing Technicolor DreamcoatFewer than 90 minutes after it began, the Timber Lake Playhouse's season-opening production of Joseph & the Amazing Technicolor Dreamcoat ended, appropriately, with a blast of exuberant, life-affirming color. Yet at the curtain call for this fantastically well-sung presentation of composer Andrew Lloyd Webber's and lyricist Tim Rice's beloved biblical musical, it became clear that the stars of the show weren't the gifted performers portraying Joseph, the Narrator, or any of director James Beaudry's 19 other cast members. The real stars, it turned out, were the streamers.

Carly Ann Berg, Sarah Randall, Heather Baisley, and Jenna Haimes in The Taffetas; photo by Jean BlackTight harmonies, effervescent smiles, and pastel-colored dresses are the highlights of the Clinton Area Showboat Theatre's The Taffetas, a jukebox musical featuring songs from the 1950s. Yet it's barely a musical. The production plays out as the titular girls' group makes its national television debut on the Spotlight on Music show - with the Showboat crowd serving as the "live studio audience" for a televised concert - and as there isn't much dialogue, or much plot, The Taffetas is really more of a revue.

Marc Ciemiewicz and Rachelle Walljasper in Fiddler on the RoofI'm willing to admit that I had significant reservations when I heard Marc Ciemiewicz would be playing Tevye in the Circa '21 Dinner Playhouse's Fiddler on the Roof. While I've enjoyed every performance I've seen from the actor, I wasn't sure he could pull off this particular part - and I confess this hoping that my praise is all the more significant: Ciemiewicz knocks the role out of the park. Sporting a beard and using a deep baritone voice to speak and sing, and significantly changing his physical demeanor, this person I normally adore for his cutesy charm and spunk completely disappears into the character of Tevye, all the while maintaining his adept comedic skill. I will never doubt Ciemiewicz's acting range again.

Kyle Jecklin, Tom Vaccaro, Doug Kutzli, Rocky Kampling, and Mark Ruebling in Big Rock Candy MountainA Depression-era band performs an impromptu concert at a small-town theatre, facing off against an overbearing, somewhat inept police officer who later, after getting plastered, takes a shine to them. The group's biggest adversary is a mean-spirited rich woman who, after boo-worthy attacks on the group, gets her comeuppance when her power is pulled out from under her. The story serves as the bridge to performances of early-20th-Century songs performed by this jukebox musical's cast members, who play on string instruments and out-of-the-ordinary percussion sources.

It's a description that fits both Southern Crossroads and the District Theatre's latest debuting production, Big Rock Candy Mountain.

Jeremy Mahr and Mike Schulz in True WestThe approach that director Tyson Danner takes with the QC Theatre Workshop's True West frustrates me in that, with leading actors Jeremy Mahr and (Reader employee) Mike Schulz playing either Austin or Lee depending on the results of a flipped coin minutes before the metaphorical curtain rises, I want to see them in both roles. With the character assignments left to chance, however, it's possible to attend every performance of the play's run and not get an opportunity to see Schulz and Mahr ever swap characters. And in a way, that's too bad, as the performers were so remarkable in Friday's presentation that I imagine a switch would make a subsequent viewing all the more interesting.

Garrin Jost and Aaron Lord in Spring AwakeningDirector Dino Hayz sets the sexual tone for the Center for Living Arts' Spring Awakening right away, as each of the young female cast members appear, one by one, in spotlight, and run their hands along their pubescent characters' newfound curves as if admiring their blossoming womanhood in a mirror. This sensuality, which never crosses over into baser lewdness, carries throughout the production, highlighting the innuendo and double entendres present in playwright and lyricist Steven Sater's and composer Duncan Sheik's musical tale of sexual discovery.

"It was third grade," says actor Marc Ciemiewicz, recalling his stage debut. "I went to Catholic school, and it was the Christmas pageant, and I was given the solo for my class - 'I'm Gettin' Nuttin' for Christmas.' And my mom, to this day, still tells the story of the gentleman in the audience who tried to give me a standing ovation ... but his wife pulled him back down."

Pamela Crouch-Zayner, Chris Zayner, Lisa Kahn, and Don Faust in Dinner with FriendsThe Playcrafters Barn Theatre's latest production, Dinner with Friends, explores the impact of a marriage-ending extramarital affair on not only the couple involved, but also their best friends. And while what results can be correctly guessed before the finale, playwright Donald Margulies manages to incorporate some unexpected paths along the way, particularly in the evolving responses of the couple's pals. While I did find my mind wandering during Friday's performance due to a lack of interest in some of the longer-winded conversations, I still enjoyed the overall presentation for being thought-provoking regarding relationships, and for offering some great laughs, too.

Steven Mondloch, Elyssa LeMay, and Ellenelle Gilliam in Something's AfootI am not a fan of the murder-mystery-comedy genre - but make the show a musical, and I'm not only interested, but eager to see it. Such is the case with Augustana College's Something's Afoot, a song-filled, murder-mystery romp reminiscent of an Agatha Christie story. Though not bad, the songs by James McDonald, David Vos, and Robert Gerlach, for the most part, aren't great, nor particularly memorable. But happily, the production as a whole is still amusing from beginning to satisfying-and-unexpected end.

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