Outside of a few pornos, I don't think I've ever seen a beautiful actress being treated quite so offensively on-screen as Malin Akerman is in The Heartbreak Kid.
Alejandro Amenabar's ghostly The Others feels like the film version of some beautifully chilling short story by Lovecraft or Shirley Jackson, where "Boo!"-style thrills take a back seat to dread and psychological complexity; it's a savvy, entertaining piece.
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