Granted, I'm twice the age of most of the show's cast members, but is it unseemly to admit that St. Ambrose University's production of Pippin is sexy as hell?
St. Ambrose University's Fortinbras was the most thoroughly entertaining theatrical production I've yet seen in 2007. And while, if you missed the show during its one-weekend, three-performance run, I have no interest in rubbing your noses in that fact, I feel the need to write about the experience because I hope that soon (a) you seeFortinbras and (b) you see this production's actors.
In the realm of educational theatre, the rehearsal process for a main-stage show generally lasts several weeks, if not months. It can
be hard work. Yet if the selected material gives actors and directors enough to work with, what could be a laborious process is, for its participants, more often a joy.
For students at Davenport's St. Ambrose University, the end of summer brings with it the usual. Buying books. Attending classes. Preparing for Urinetown.
Rosencrantz & Guildenstern Are Dead, which recently closed St. Ambrose University's 2004-5 theatre season, is a tough play to produce effectively at the collegiate level: How do you present Tom Stoppard's mordantly funny rumination on mortality and the meaninglessness of existence with performers this young?
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