Photos from the Ballrom Thieves concert at the Redstone Room on March 5, 2014. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

Photos from the Pokey LaFarge concert at the Redstone Room on December 8, 2013. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

Photos from the Chuck Ragan concert September 18 at the Redstone Room, with openers Comfort and Jamestown Revival.

For more from Roberta Osmers on the Quad Cities music scene, visit OfTechAndMusic.Blogspot.com.

Chuck Ragan:

Photo by Roberta Osmers, OfTechAndMusic.Blogspot.com

Photos from the Trishas concert at the Redstone Room on June 6, 2013, with opener the Dirt Road Rockers. For more from Roberta Osmers on the Quad-Cities music scene, visit OfTechAndMusic.Blogspot.com.

The Trishas:

Photo by Roberta Osmers (OfTechAndMusic.Blogspot.com)

Photos from the Bruce Robison & Kelly Willis concert at the Redstone Room on May 4, 2013, with opener David G. Smith. For more work by Matt Erickson, visit MRE-Photography.com.

Bruce Robison & Kelly Willis:

Photo by Matt Erickson, MRE-Photography.com

Photos from the Victor Wooten concert at the Redstone Room on April 21, 2013, as part of Polyrhythms' Third Sunday jazz series. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

Photos from the Eric Sardinas concert at the Redstone Room on March 23, 2013. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

The Cerny Brothers

In an interview, Robert and Scott Cerny - who will be playing as the Cerny Brothers on December 23 at the Redstone Room - said their album Dream grew out of one song: "I Want You to Run." The record's second track, it fuses elements of country, folk, and bluegrass with polished vocal and lyrical stylings that sound more like pop.

Starting at an ambling pace, "I Want You to Run" mixes a simple drum and high-hat beat supporting steel and acoustic accompaniment that rolls into the first verse: "I want you to run / Past your childhood home / To the great unknown."

This verse embodies the major thematic element of the album - that yearning to leave, that desire to take a chance and have someone else come along to share the experience. The writing here has a simple elegance and unforced honesty that work with the intricate pick work to create a sense of urgency. Here there's a radical optimism that's at the core of the entire album, a refusal to believe that dreams are better deferred than pursued.

I am writing in praise of Nate Lawrence and Polyrhythms. Polyrhythms is a Quad Cities organization dedicated to bringing jazz music to their community, not only through live performance, but also with workshops for non-musicians and musicians alike. These events take place the third Sunday of every month at the state-of-the-art Redstone Room inside the beautiful new River Music Experience building, which serves as a museum/classroom/performance space for American music (with an emphasis on jazz music that came up the Mississippi River).

I am a jazz vocalist based in Chicago. Last Sunday, I had the great fortune of performing for the Quad Cities community as part of Polyrhythms' Third Sunday Jazz program. The experience was very rewarding because of the combination of the performance and the workshop.

beausoleil1.jpgAs Michael Doucet tells it, the Acadian people of Louisiana have in their blood a penchant for both adaptation and preservation. They moved from France in the 17th Century and colonized Acadia - in what are now the Canada Maritime provinces and Maine. And many settled in Louisiana after the Great Expulsion of 1755 and became Cajuns.

"I think our culture has always looked at this - and not necessarily intellectually, but more on an emotional level - that you would adapt to whatever was around," Doucet said last week in a phone interview from his southwestern-Louisiana home. "That's how the Acadian sort of ethnic culture continues to be vital today, because it adapted.

"That's what we're doing now, is adapting to where we are now."

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